Word: grace
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Dates: during 1960-1969
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...notes in Hindemith and the Band's performance exposed serious problems of ensemble. Walker was often reduced to signalling huge downbeats in an effort to get his musicians together again. Problems of execution obscured most of the composition's mordant sense of humor. The one saving grace was the frequent konzertante nature of the writing, which provided an opportunity for some brave solo work by flute, saxophone, and trumpet...
...most. For the opening in Stockholm of the Swedish Royal Opera Company's Nutcracker Suite, which he choreographed, Rudi invited Lee Radziwill, 34, to fly over from London to admire his work. She applauded so well that he spirited her off to Monaco for a gala chez Princess Grace. Not content with two performances at the Monte Carlo Opera, Rudi fetched Lee onto the floor at the Black Jack Club for what was probably his first pas de deux anywhere in a fur Mao Tse-tung jacket. "Rudolf dances almost as well in private as he does onstage...
Wicked Alternative. For last month's spring showings, Gernreich arrived togged out in one of his favorite zippered Pierre Cardin "cosmocorps" suits, looking every bit as futuristic as his fashions. Standing fully erect, his 5-ft. 6-in., 138-lb. figure poised with a lithe dancers grace, he told the buyers and press: "A woman today can be anything she wants to be a Gainsborough or a Reynolds or a Reynolds Wrap." Then came a preview of the provocative choices ahead. First was a series of simple knit dresses simple except for the clear vinyl bands that saucily bared...
...letters to her, often smuggled out by a sympathetic guard, contain several impressive statements of his Christian conviction. On Aug. 12, 1943, he wrote: "You cannot imagine what it means in my present situation to have you. Our union can only be a sign of God's grace and kindness, which calls us to faith. And I do not mean the faith which flees the world, but the one that endures the world. Our marriage shall be a yes to God's earth. I fear that Christians who stand with only one leg upon earth also stand with...
...music world will not let him. At 34, Bream is in demand throughout Europe and America as the undisputed successor to the grand master of the classical guitar, Andres Segovia, and as a lutanist already beyond comparison. Without sacrificing stylistic elegance, he draws from both instruments the rustic grace and fresh-air feeling of the English countryside, redeeming them from sentimentality as well as musicological pedantry. To make up for the narrow dynamic range of the guitar, he achieves dramatic effects with an extraordinary variety of tonal colors. Subtle, jazzlike rhythms, throbbing chords, silvery lines, harplike plinks, resonant harpsichord...