Word: graced
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Dates: during 1990-1999
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...also possesses the ability to sense evil in others. He sees the violent thoughts within the deranged Wild Bill, and is repulsed by the realization that there is more to his murderous past than he is letting on. In Percy (perhaps the most despicably obnoxious character ever to grace the silver screen), he recognizes the arrogance and sheer malice that is most intensely manifested in his cruelty towards the inmate Eduard Delacroix. First, he breaks his fingers with his billy club; then, he crushes Mr. Jingles beneath his boot, necessitating John's magic to bring him back; and, most horribly...
...Girl at Mirror, he could put white paint through as many adventures as Robert Ryman does in his snow-flurry abstractions. As for his pieties, they turn out sometimes to be the same ones fundamental to civil society. By nothing less than an actual vote among Post readers, Saying Grace was his most popular canvas. In a flyblown city restaurant, a boy and his grandmother bow their heads to pray while everybody else looks on. If the picture is about the secular world making space for the spiritual, which it plainly is, it's also about the larger notion...
...snarky Will & Grace, the book of heartfelt life lessons from dying professor Morrie Schwartz (Jack Lemmon) to his ex-student, sportswriter Mitch Albom (Hank Azaria), has become phenomenon enough to merit a punch line (a wealthy client fires Will, blithely telling him to read Albom's book and appreciate all he still has). But for the unironic masses who've kept this memento Morrie a best seller for more than 100 weeks, ABC has needlepointed an Oprah Winfrey Presents telepic that's as earnest as life is short. However worthy the book, its carpe diem aphorisms don't translate well...
...These are indeed beautiful descriptions of these activities--with terms like "radiant ignition" and "floral supposition," one might be tempted to accept Scarry's logic for the sake of its prettiness. Images of beauty dominate the book, from simple flowers to the grace of Achilles' movements to the gossamer-like qualities of Emma Bovary's apron strings and wisps of hair blowing in the wind. Even violence in literature can be pretty, if the author uses imaginative devices well...
...realizes. "One ceases to be surprised that what used to be as hard as hard can be grows harder yet." Disgrace is a mini-opera without music by a writer at the top of his form. Its bleak vision lingers, shattering any hope of a redemptive state of grace...