Word: graceful
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...saying this flesh stuff coating your skeleton presents maintenance issues occasionally. But the movie offers insights that lift it beyond the realist version of The Devil Wears Prada. For more than two decades, it seems, Wintour, 59, has been in a codependent relationship with a flame-haired wraith named Grace Coddington, Vogue's creative director and resident genius. These two women need and needle each other. Fashion wouldn't be fashion without Wintour, easily the most powerful woman in the industry. But The September Issue suggests that Vogue, the industry's bible, couldn't be Vogue without Coddington...
...possible that Wintour isn't so much a sponge-squeezing killjoy as simply ... an editor? She names decisiveness as her greatest strength, and the movie shows her making good decisions, rapidly and repeatedly. The first picture Wintour vetoes from Coddington's treasured shoot is distractingly fussy and rococo. Grace mopes, but the magazine benefits. At the film's climax, Cutler plays up the drama of Coddington's refusal to allow an appealing but not-quite-model-standard image to be digitally nipped and tucked at Wintour's request. It's lively storytelling, except that Wintour's suggestion seems more like...
...women who have the most important jobs there, apart from editor Anna Wintour, do not look all that glamorous. They don't wear much makeup. Their outfits are unremarkable. They work really hard and get pretty scruffy doing it; the magazine's chief creative genius, 68-year-old Grace Coddington, spends most of the movie whipping up images that drip with luxury and beauty while her own hair looks like it was groomed with a rake. (Read TIME's cover story, "The Meaning of Michelle...
...syllables, Ford reprises the first chorus, giving each word double value, again asserting the lyric's wistfulness before revving for the finale. Her voice ascends - "How! High! The! Moon!" - and Les' guitar descends, ending as he began, with the rock riff and adding a puckish triple grace note. He and Ford get in and out of this 21-track mini-masterpiece in a breathless two minutes and four seconds...
...decoration of the Chapel of the Rosary in St.-Paul de Vence because it was what he did, because it kept him alive. That's why Les Paul continued to play weekly gigs at Iridium well into his 90s, until shortly before his death, putting the final touches, grace notes, on the edifice of his achievement. Each Monday evening, two legends would fill that tiny stage: a living legend, Les Paul, and the precious memory of his partner. One night he closed a set with the plaintive ballad "Just One More Chance." He was playing it, he said, "in remembrance...