Word: gracefully
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Dates: during 1960-1969
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...seasoned campaigner, the late German pianist could be surprisingly youthful when he turned to Beethoven. Here he treats the Emperor more like a prince-in-waiting than an absolute monarch; he never stoops to imperious rhetoric, his tone is lithe and silvery, and he moves with quickness and grace. It is not the only way to treat the music, but in its own manner, it is definitely royal...
...ancien régime felt a special kinship with the stylized artifice of Chinese design. Chinese porcelain was admired for its curvilinear grace, and mantelpieces and niches were filled with delicious Meissen and Chantilly imitations of Chinese styles. One of the most striking objects in the Wickes collection is the great black Chinese chest that London craftsmen lovingly set on legs of gilded wood. When the stateliness of the baroque era gave way to the studied insouciance of the court of Louis XV, chests took on a kind of portly gentility, as witness the gilt-trimmed rococo commode in Wickes...
Corsaro also concluded early on that he was not going to be influenced by Gounod's score, either. "It's sweet, it has charm and grace, and it's romantic -but it can bend any number of ways," he explains. Fortunately, Soprano Beverly Sills (Marguerite), Tenor Michele Molese (Faust), Bass Norman Treigle (Mephistopheles) and Conductor Rudel were on hand to see that it did not bend too much. Some traditionalists felt that it was going too far to deprive Marguerite of her usual departure for heaven in full view of the audience. But Corsaro decided that angels...
...talking of the poet as he sees himself; the reader sees something different. Picture a seagull unhappy, hungry for a clam. He flies in perfect beauty, a perfect grace visible to all eyes but his own. John Berryman, however difficult his own muddle may be, exhibits to us a true grace of craftsmanship and earnestness...
...Niko quickly in the second scene and never allows him to fade from view after that. (As in his book for Fiddler, Stein never lets any character slip through his fingers.) When Niko finally forgets pretense, allowing himself to fall in love with the beautiful widow (played with quiet grace by Carmen Alvarez), the transformation is thrilling, as Stein and Cunningham have created someone worth caring about...