Word: gracefully
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Dates: during 1960-1969
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...rest of the program was more conventional--some Tompkins and Morley, sounding boxy and if it needed a chorus one quarter the size of the tour group, some incongrously Western-sounding "Asian" songs, and choruses from La Reine Indigo, by Johann Strauss, Jr. The saving grace of these choruses were some absurdly ornate soprano solos, masterfully executed by Carlotta Wilsen. Like the other successful pieces on the program, the Strauss was impressive primarily for its animation and coherence; when Asian Tour 1967 achieves these qualities more consistently it will be a fine performing group...
Although no fundamentalist, Cosby preaches a Scripture-centered faith, and his dramatic sermons are rooted in the Southern evangelistic tradition. Unconcerned that his church has few members, he believes that the "costly grace" of Christian commitment "can be more readily sustained among a small group than in a large impersonal setting." Cosby also rejects activism for its own sake. "Just getting involved," he says, "is often a form of escape." The true Christian ministry, he believes, must be an "inward and outward" journey-meaning both spiritual pilgrimage toward God and dedication to the service of humanity for Christ...
...that these pains and sufferings are the best I have experienced so far in my life and that they must have their reward, if not in the soothing quiet of faith, then at least in the awareness of the price I paid for them. The theory that God's Grace descends upon one, in the English clubs or in an assembly of stockbrokers, I always considered not only stupid, but also immoral...
...Sadler's Wells Ballet, opened with Romeo and Juiet. The company has filmed the ballet with Rudolf Nureyev and Dame Margot Fonteyn, truly the most remarkable pair in the ballet world. Dame Morgot, now 48, dances the role of the 14-year-old Juliet with an unmatchable combination of grace and young ardor. Nureyev has often been likened to the legendary Nijinsky, le Dieu de la Danse, as the Edwardians called him before he went...
...with the condemnation of his age and his society. Just as his confessionals are far beyond personal confession, his condemnations are far beyond "protest." His most immediate concerns with war or injustice are never merely topical but involved with the greatest and most permanent themes-life, death, love and grace. His anger is hot, but it is never unshaded by compassion. His disgust with the times is great, but it is never unqualified by a sense of the past. He knows that evil as well as good is in specific men, but also that it is in all men; that...