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...year. That one had a self-obsessed hero, a sweet mother-child tandem and a media figure in trouble. All you can say about Brooks' new film, which he wrote with Mark Andrus, is that it's richer, funnier, less predictable and miles more human, with Brooks' patented quirky grace notes--dialogue you don't hear anyplace else, alas, in popular art. The film is like a party that takes a while to warm up; once you get to know the strangers there, you're bound to have a terrific, touching time. Bring hankies...

Author: /time Magazine | Title: CINEMA: MAD ABOUT HER | 12/15/1997 | See Source »

...However, as the piece progressed, Rickards' slow high sections became a real asset, showing off his incredibly pure, sweet timbre and bell-like resonance. Rickards' runs were exquisite and flawless, his style characterized by very creative use of flourishes, including several impressive octave-wide jumps from ending note to grace-note. A high moment in his performance came in the "He was despised" aria. Startlingly unadorned, this aria provided a striking contrast to the equally lovely lines that followed, "He gave his back to despisers." The soprano recitatives of Pifa, the second, post-natal half of Part I give Labelle...

Author: By Adriane N. Giebel, CONTRIBUTING WRITER | Title: H&H Scores Resounding Triumph in 'Messiah' | 12/12/1997 | See Source »

Francis Ford Coppola missteps in a heavy-handed moralistic mess that has none of the storytelling grace he's displayed on happier occasions. In fact, he's succeeded in making John Grisham--the king of popcorn thrillers--lethally boring. There is no shameless entertainment here, no chance to be swept up in instant thrills. Instead, we see Matt Damon lost in two hours of disjointed storytelling without a touch of drama...

Author: By Soman S. Chainani, | Title: The Rainmaker | 12/12/1997 | See Source »

...main concern is that the quality of the food is low. The fruits and vegetables are low quality," says Grace S.Y. Kwak '98, who is a vegetarian...

Author: By Lisa B. Keyfetz, CONTRIBUTING WRITER | Title: You Are What You Eat | 12/9/1997 | See Source »

Coppola's venture into the mainstream is a difficult one to watch, mainly because we know what he can be capable of. There is none of the storytelling grace that was a trademark of his earlier pictures. With Jack and now John Grisham's The Rainmaker, there is the tragic possibility that Coppola is in a disconcerting decline. Indeed, there is a sad moment in Rainmaker when Rudy is introduced to the sleazy lawyer Bruiser (Mickey Rourke). Bruiser's office is appropriately gloomy and uninviting--there is a tank of menacing sharks stationed behind his desk. We smile...

Author: By Soman S. Chainani, CONTRIBUTING WRITER | Title: No Lightning for this 'Rainmaker' | 12/5/1997 | See Source »

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