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Word: gracefully (lookup in dictionary) (lookup stats)
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...ostentatious object of pity. The actress won't do all the work; viewers must meet her halfway. With a Winger woman, it's always worth the effort. Joy grows subtly to human size -- to a humanity that grows as her body decays. And Martha is eventually illuminated with audacious grace notes: a sick smile at a saleswoman's kindness, a tongue stuck out helpfully for her first lover...

Author: /time Magazine | Title: Debra Winger: Dangerous Woman | 1/24/1994 | See Source »

Quickly the girl leaped from 12th place in the former Soviet Union to second in Europe. Then came victory in Prague. She has all the makings of an ice princess: long legs, a dancer's grace and a sweet face. She also has a good repertoire of triple jumps. But she wins because her programs are packed with youthful energy and laced with sensuality...

Author: /time Magazine | Title: Tfigure Skater Oksana Baiul: The Odyssey of an Orphan | 1/24/1994 | See Source »

...tragedy is that softball, for all its charm, is not as good a sport as baseball. Baseball's longer distances allow for more bizarre plays, more errors, more excitement. There is less grace in softball. With distances so short, speed and timing...

Author: By Joe Mathews, | Title: Toward a More Perfect League | 1/12/1994 | See Source »

What is the same in both Wenders films is the notion of angels as bestowers of grace on a secular landscape. Wenders' view is traditional and strangely powerful. He sees angels as invisible consolers, gentle kibitzers in the monologues that run endlessly through our mind. They are the eternal observers, God's night watchmen, holy voyeurs. Wenders would probably say they are moviegoers, eavesdropping for a few privileged hours on a world more perilous and beautiful than our own. In a lovely scene, Cassiel comforts an old chauffeur (Heinz Ruhmann, a German movie star since 1926) with memories...

Author: /time Magazine | Title: Date with an Angel, Take Two | 1/10/1994 | See Source »

...main reason is the performances; this film is a gift to his actors from director Claude Miller (who, with Luc Beraud, adapted Nina Berberova's novel) and from the actors to the receptive viewer. Safonova is a blond vision of grace under all kinds of pressure. But the fresh revelation is Romane Bohringer, daughter of co-star Richard Bohringer. A solemn beguiler, she perfectly embodies pent-up passivity as it longs for the golden chains of an enslaving passion...

Author: /time Magazine | Title: In the Shadow of Stardom | 1/10/1994 | See Source »

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