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...elder Villanueva played for seven years in the NFL as a straight-ahead punter-placekicker and scored 491 points and recorded a career punting average of 42.7--good enough for 10th on the all-time list. He is still widely considered the finest punter-placekicker to grace the NFL fields...

Author: By Nick Wurf, | Title: Jim Villanueva | 11/18/1983 | See Source »

Through a character whom Oz names simply "Z," he lays out the scene: Israel's sacred reputation has never been marred beyond repair. Oz cheers this fall from grace...

Author: By Lavea Brachman, | Title: The Land of Oz | 11/17/1983 | See Source »

...warehouse, an A-framed former Grace Evangelical Lutheran Church, Grothus points out things at random. "Boron-loaded polyethylene, a neutron absorber. Who the hell wants it? I've got twelve or so 400-channel analyzers. Stacks of nuclear-instrumentation modules. IBM card punches and readers-obsolete by our standards. But if a country has nothing? Scintillation crystals. Electronic balances." Grothus supplied the technical props for the Karen Silkwood movie. He was horrified when they were returned. "You can't get rid of this stuff," he moans. "Do you need a five-beam oscilloscope? Nobody on earth...

Author: /time Magazine | Title: In New Mexico: High-Tech Junkyard | 11/14/1983 | See Source »

...death in a deeply personal way: they, and he, were swept into a third dimension, the mythic. The ancient Greeks thought that gods and goddesses came down and walked among them and befriended them or betrayed them. The drama 20 years ago-bright young life and light and grace and death all compounded by the bardic camera-turned Kennedy into a kind of American...

Author: /time Magazine | Title: J.F.K. After 20 years, the question: How good a President? | 11/14/1983 | See Source »

...there a less "feminine" woman artist of her generation? Probably not. Even Krasner's favorite pink, a domineering fuchsia that raps hotly on the eyeball at 50 paces, is aggressive, confrontational; and when her line evokes eros, its grace is modified by a rough, improvisatory movement, a distrust of quick visual acceptance. Sometimes, as in Green Fuse, 1968, or Rising Green, 1972, she refers to the palm-court, winter-garden atmosphere of late Matisse; yet the shapes are too cutting to stand as undiluted emblems of luxury. Critical of the world, she is just as hard on herself, harder...

Author: /time Magazine | Title: Art: Bursting Out of the Shadows | 11/14/1983 | See Source »

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