Word: gracefulness
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...stale after the third telling. And it's hard to imagine the show would have lasted four seasons had it been called Bunn, Wackett, Buzzard, Stubble and Boot, since you are fed up before the end of the chapter with reading that it might have been. The saving grace of Autobiography is that it's a handsome beast of a coffee-table book. The special edition comes with snap-on legs and a set of crockery - perhaps the book's best inside joke - and it is crammed with photographs that remind you what a uniquely funny (and extremely silly) team...
...like to be gay at HLS when they were there, and whether they remembered their Harvard experience fondly. Some had graduated in the 1950s, before “being gay” meant anything to anyone. Others graduated just a couple of years ago, by which time Will and Grace had become household names...
...Jolie can parade around in a skin-tight catsuit to play tomb-raiding Lara Croft, but what about 30 years from now? Would she just as happily do a nude scene then, wrinkles and all, with only two iced buns protecting her modesty? To pull that off takes confidence, grace and an infectious sense of humor - and Calendar Girls is busting out with all of them. Based on the true story of the U.K.'s Rylstone Women's Institute - think bake-offs and quilting circles - whose members posed for a tastefully nude calendar in 1999 to raise money for leukemia...
...only a small fraction of Coddington's success. The rest is due to persistence. Legendary fashion photographer Arthur Elgort, who has traveled across the globe with Coddington, says they get together before every shoot to scout out locations. "There are a lot of hit-and-run editors, but Grace follows an idea from its conception to it actually going to print. The job isn't over until she has seen all the pictures and has annoyed the art department," he says. When she presents an idea to Vogue editor Anna Wintour, she fights for it. "[Anna and I] trust each...
Known for their glossy, airbrushed style, Alas and Piggott's images bring a Vargas-like perfection to the billboards they grace. "The difference between us and other photographers, honestly, is that we care a lot about fashion," says Alas. "We are in the makeup room, working with the hair, involved in the look much more than working on the lighting, the cables, the gels. The technical side is only 50% of what makes the image...