Word: gracing
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Dates: during 1940-1949
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Young Miss Simmons has an unspoiled talent for speaking with an open voice or, in an old Shakespearean phrase of Robert Benchley's, from the heart rather than the roof of the mouth. She has an oblique, individual beauty and a trained dancer's continuous grace. As a result, she jerks genuine tears during scenes which ordinarily cause Shakespeare's greatest admirers to sneak out for a drink. Compared with most of the members of the cast, she is obviously just a talented beginner. But she is the only person in the picture who gives every...
...sweetness and dangerousness of spirit, and of the mock-casual. On the invention of business, he is equally intelligent and imaginative. I am glad to see thee well is delivered with a pat on the head to a performing dog; Yorick's skull is poised with piercing ironic grace, cheek to cheek with his own living skull; the lost eyes stare into the audience as Hamlet says, very quietly, Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that...
...regard for it, are exceptionally acute. Those who venerate the best in acting will easily forgive the rare excesses in this Hamlet, and will easily get over disappointments as beautiful as these; they will not soon forget the lively temperateness, the perfect commingling of blood and judgment, the high grace and spirit, which inform the performance as a whole...
More than 20,000 cases have been reported in medical journals. In the current Connecticut State Medical Journal, Drs. Max L. Berlowe and Francis L. Herrick describe the results of 200 cases in the Grace-New Haven (Conn.) Community Hospital. Of the first 100 patients, 76% got complete relief from pain; of the second 100 patients, 96%. Only complications: headache and short periods of nausea and vomiting (possibly not due to the anesthetic). There was no dangerous lowering of blood pressure, a frequent complication in childbirth...
...dancer, a good actor, personally very likable, of considerable vigor and sense as a creative artist, but on the whole he has gone very wrong in this picture. His performance is so sharply mannered that it is a continuous muted dance. But too little of the remarkable vitality and grace are really his own. He has drawn heavily on John Barrymore and still more heavily on Douglas Fairbanks Sr., and his imitations, almost the more because they are so apt and eager, are as unhappy to watch as any other forged masterpiece. Besides, he has to deliver a good deal...