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Shocks and Slashes. All this huggermugger could be indulgently dismissed if it were not for the ugliness and brutality of so many of the scenes. The director lacks the true thriller director's gradual gut-tightening rhythm and the subtle sense of mood that causes men ace to materialize in the viewer's imagination instead of in the special-effects department. Winner goes in for violent shocks to the nerve endings. An eye is slashed and a nose cut off, flesh is seen to decompose, a corpse is eaten, hideous deformities are paraded, and through...

Author: /time Magazine | Title: Cinema: Hellish Huggermugger | 2/28/1977 | See Source »

...Mallet, Instruments, Voices and Organ," is that of repetitive imagery. The intensity of repetition leads to clearer seeing, deeper insight; it's a curiously challenging boredom. The unfamiliar is so predictable as to become unexpected. Composer Steve Reich articulates this aesthetic in an essay defining music as a "gradual process." He writes, "I want to be able to hear the process happening throughout the sounding music," a perfect description of "Marimba," a dance about form revealing itself...

Author: By Susan A. Manning, | Title: Lubovitch at the Loeb, Soll, and New England Dinosaur | 2/10/1977 | See Source »

...factory experience, along with a gradual disillusionment with political and unionist haggles that had set in the years before, finally led Weil to focus all her later, seminal writing on the question of how to alleviate this sense of enslavement. She rejected all forms of State domination, comparing both Hitler's fascist state and Stalin's Socialist state to the Republic and Empire of Ancient Rome, which she loathed. Even though she herself volunteered to fight alongside the Republic and during the Spanish Civil War, she pamphletted against France's involvement and against all forms of international war, abhoring...

Author: By Mark T. Whitaker, | Title: How Sound A Sacrifice? | 2/9/1977 | See Source »

France's late President first announced in 1969 that he would give Paris "a landmark of our time." A connoisseur and collector of art, Pompidou was dismayed by Paris' gradual loss of stature as an art capital. He dreamed of a building that would be "both a museum and a center for creation, where the plastic arts would exist alongside music, cinema, books, audio-visual research. Its creativity would obviously be modern and continually changing." The location: Beaubourg, once a bourgeois neighborhood between the Bastille and Les Halles, but for the past century a decaying slum. Specifically, planners...

Author: /time Magazine | Title: Art: Paris' New Meccano Machine | 2/7/1977 | See Source »

Like Lorincz, a member of the Agudat Israel Party, most Israelis are appalled and ashamed by the recent epidemic of white-collar corruption in the Jewish state. A few cynically shrug it off as the predictable result of Israel's gradual shift away from the zealous Utopian socialism of its founders. No one, however, is ignoring the crimes and the accusations of crimes, which range from bribes of refrigerators and TV sets slipped to government workers to the outright theft of millions of dollars. Psychiatrist Hillel Klein argues that the shock of the scandals is particularly hard...

Author: /time Magazine | Title: The World: Other Scandals: All in the Family | 1/17/1977 | See Source »

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