Word: graffman
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...Curtis Institute of Music, one of the country's most prestigious conservatories, has nearly 50 alumni over 70 who still teach and perform on concert tours. "When Isaac Stern turned 70, we told him he was old enough to teach at Curtis," jokes the school's director, Gary Graffman, who at 75 remains a concert pianist...
Still, for many years the musical world has seemed loath to view Wild as anything other than a consummate master of a vanished pianistic style. For the past 40 years audiences have favored the colder, more analytical approach of pianists like Leon Fleischer, Gary Graffman and Maurizio Pollini. The brief romantic revival of the late 1960s highlighted his expertise with such composers as Chopin and Lizst, but Wild has never received the critical acclaim he deserves...
Warfare has not claimed any pianistic right arms lately, but various mysterious maladies such as carpal tunnel syndrome, progressive degeneration of the nerves and repetitive stress syndrome have struck a number of pianists, most prominently Gary Graffman and Leon Fleisher. Graffman, a dazzling stylist whose troubles began when he first sprained the fourth finger on his right hand while playing an unresponsive instrument in Berlin, has been a left- handed pianist since 1979. Fleisher, a towering performer whose 1958-62 cycle of Beethoven concertos with George Szell and the Cleveland Orchestra remains a pinnacle of modern recordings, first noticed...
...patience was rewarded. His friend and fellow pianist Gary Graffman was suffering from a similar problem and had found sympathetic and helpful doctors at Boston's Massachusetts General Hospital. The doctors, Fred Hochberg, a neurologist, and Robert Leffert, an orthopedic surgeon, examined Fleisher and determined that he was suffering from carpal tunnel syndrome, a condition that occurs when swollen tissue presses against a major nerve that transmits feeling to the hand. Fleisher was operated on in January 1981 to relieve the nerve. A few months later he began follow-up treatment, a powerful and sometimes painful application of pressure...
...Flat (one of his father's favorite key signatures, by the way) makes up for a certain lack of profundity with its bouncy good spirits and melodic charm. Franz performed it frequently as a concert pianist, and if he was able to bring it off as brilliantly as Graffman did last week, he must have had a first-rate keyboard technique. He also played (and revered) his father's music and quite clearly was burdened by the comparison. Finally he had to get away from it all and, still in his 30s, exiled himself to a life...