Word: grahame
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Dates: during 1930-1939
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Four years ago Herbert W. Graham, supervising metallurgist for the fourth largest U. S. steel maker, Jones & Laughlin, persuaded his company to build a miniature steel mill for research. This $175,000 toy mill's open-hearth furnace, ingot molds, soaking pit and rollers produce one-inch square bars...
...Ripley broadcast, frenzied Announcer Graham McNamee took the microphone and, with customary hysteria, burbled his story of Kuda Bux walking twice through 20 feet of fire. Actually, the fire was in two separate ten-foot pits...
Musty, tiny Bow Street Police Court in London opened one day last week with a case of two Irishmen caught fighting in the street. Later a prostitute was arraigned. As Chief Magistrate Sir Rollo Graham-Campbell was hearing evidence on this case, a tall, 42-year-old Danish Count, wearing a blue serge suit, carrying a brief case, strode in. Next entered a slender blonde young woman, formerly an American citizen, twice-married, once-divorced. The flashily dressed streetwalker bounced out of court. Shaggy-browed Sir Patrick Hastings, noted British barrister, rose, be to outline the case, that of Countess...
First of them to break away was the mask-faced zealot, Martha Graham, who left a lucrative job with the then-popular Ruth St. Denis company to brood and prance alone in a Manhattan studio. Results of this brooding, Graham's Manhattan concerts in 1926-29, were the first doses of modernist dance Manhattanites had ever taken. Soon, however, two other former Denishawn dancers, Doris Humphrey and Charles Weidman, joined the procession. When famed German Modernist Dancer Mary Wigman visited the U. S. in 1930-31, the U. S. home-grown modernist dance had already taken root. But Wigman...
...sprawling white farm buildings which house Vermont's youngest and most experimental college, some 150 acolytes, many of them heads of dance departments in other colleges, leaped and squatted with ardor, preparing for big stage events with which the Festival wall close next month. Present besides High Priestesses Graham, Humphrey and Holm, High Priest Weidman, were portly, dachshund-toting Louis Horst, patriarch of the movement, prim N. Y. Times Dance Critic John Martin, its principal evangelist. While London's ballet world was rent in a grand écart, Bennington's modern dancers heaved together in a lusty...