Word: grails
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Dates: during 1980-1989
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...square brother (Dean Stockwell) hauls Travis home to be reunited with his young son (Hunter Carson). Now Travis goes searching, with the boy in tow, for his long-lost wife (Nastassja Kinski). Welcome to the new West, pardner, where the myth of the loner is yoked to the grail of domestic reconciliation. No wonder Paris, Texas is as powerfully schizoid as its title: German director (Wim Wenders), American screenwriter (Sam Shepard), the clashing strategies of an international cast. With his gorgeous, precise images of the American Southwest, Wenders suggests a cinematic landscape artist forced by the moneylenders to add some...
...thing is sure, the movie will not lack for churning, monster-a-minute energy. The plot is the oldest in literature, a quest: confront the Minotaur, find the Holy Grail, follow the yellow brick road. Twelve-year-old Jack Sawyer is sheltering unhappily in an empty New Hampshire tourist hotel, where his mother Lily, a washed-up B-movie queen, is wasting away with cancer. A mysterious old black man named Speedy, who tends a carrousel, hints that if Jack can reach California and find something called the talisman, all will be well. Part of the journeying will be through...
...assemblage that included the splendid Bulgarian soprano Anna Tomowa-Sintow as the gentle maiden Elsa, the fiery Hungarian soprano Eva Marton as the scheming Ortrud and the hearty Danish bass Aage Haugland as King Henry the Fowler. Most notable of all, as Lohengrin, the mysterious knight of the Holy Grail, it featured Placido Domingo on one of his rare forays into the German repertoire. What looked at first like a mismatch turned out to be a gamble that paid off handsomely...
...valedictory to his swan with the wistful Italianate warmth of a love song. In the second act, he sang passionately as Lohengrin tries to protect Elsa, his betrothed, from Ortrud's Iago-like machinations. By the third act, he was in full command, delivering the difficult Grail narration, in which Lohengrin sorrowfully reveals his identity and his obligation to leave Elsa, with power and poignancy. It may not have been idiomatic, but it was elegant and persuasive...
...SENSE, Mario Vargas-Llosa's latest novel, The War at the End of the World, is a retelling of an old story. Ever since the Holy Grail was lost, men and women have forsaken everything for the sake of eternal salvation. But the temporal results are seldom beneficial. Usually the participants end up like they do here, dying violently with a prayer on their lips...