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Word: grammars (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Root of Rage. The new Manheim translation makes more accessible to U.S. readers the astonishing virtuosity of Céline's style, which broke out of the formal gavotte of French grammar and syntax-and used all the resources of thieves' argot, slum slang, and the shoptalk of pimps, prostitutes, bums, and pickpockets-to demonstrate the power and quality of his love of life and hatred for those who must live it. Coprological images-excrement, pus, gangrene, all the humiliating ironies of bodily decay-crowded this doctor's mind. Still, his language no longer shocks; today...

Author: /time Magazine | Title: Books: Rage Against Life | 1/13/1967 | See Source »

SATORI IN PARIS, by Jack Kerouac. An account of a beat writer's ribald search for some noble French ancestors, told with gusto and amusing dropout grammar...

Author: /time Magazine | Title: Television: Dec. 30, 1966 | 12/30/1966 | See Source »

...dreary industrial Midlands, the town of Kettering was long distinguished solely for its output of inexpensive shoes, produced by the millions at local factories. Now the town has won new honors. Using makeshift equipment, a physics teacher and a group of bright high school boys at Kettering Grammar School have discovered the location of a new and previously unannounced rocket-launching site in Russia...

Author: /time Magazine | Title: Space: The Secret of Plesetsk | 12/30/1966 | See Source »

...this old name of mine, which is just about three thousand years old and was never changed in all that time, as who would change a name that simply means House (Ker), in the Field (Ouac)." Yet the bounce and burble of Kerouac's gusto and dropout grammar carry the reader along his wacky safari. Actually, Kerouac claims that it was less safari than satori (the Japanese zen term for sudden illumination), although it is not clear just what the satori conveyed...

Author: /time Magazine | Title: Books: God Bless Armorica | 12/23/1966 | See Source »

...seems for most of the play. Full of inbred Southern prejudices, the girl calls the man a "nigger" and won't sit at the kitchen table with him. Full of the critical disdain of the educated, the man sarcastically mocks the girl's looks, grammar, vocabulary and dim wits. Gradually, their plight draws them together, and Playwright Westheimer achieves moments of mirth, poignance, compassion, and interracial rapport...

Author: /time Magazine | Title: Theater: Misery Hates Company | 12/16/1966 | See Source »

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