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Which, When & Where? Museum Director Molajoli rapidly found himself in the middle of one of the most vociferous of the debates that engross the international museum fraternity: how to light a painting. From the Renaissance to the 19th century, side-window lighting was the principal solution, with now and then...

Author: /time Magazine | Title: Art: MUSEUM FOR SEEING | 2/3/1958 | See Source »

At last coming up for reappraisal, the works of Seurat are about to have their first major museum showing, opening this week at the Chicago Art Institute and moving in March to Manhattan's Museum of Modern Art. To stage the show, the Chicago Institute, which owns Seurat'...

Author: /time Magazine | Title: Art: THE SCIENCE OF SEURAT | 1/20/1958 | See Source »

Seurat went about his mission with a thoroughness that Louvre Curator Germain Bazin compares only to Leonardo da Vinci's own scientific preparations. To ready his first painted manifesto, La Grande Jatte, Seurat went daily for six months to the island to sketch and make quick color studies, worked...

Author: /time Magazine | Title: Art: THE SCIENCE OF SEURAT | 1/20/1958 | See Source »

That is how a young Rio Grande riverboat captain named Richard King braced a stranger in Brownsville, Texas in 1850. "Back in Owensboro, Kentucky, sir," replied the stranger, "I was treasurer of the Methodist Church. I raised the money to build a new church house. Well-that church was never...

Author: /time Magazine | Title: Books: Boatman on Horseback | 9/23/1957 | See Source »

At the Backdoor. Richard King became a boatman by chance: he made his exit from New York by stowing away on a Gulf-bound sailing ship, and the captain taught the youngster his trade. During the rugged days on the Southwest border, after Old Fuss-and-Feathers Scott and Old...

Author: /time Magazine | Title: Books: Boatman on Horseback | 9/23/1957 | See Source »

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