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...Stewart Granger plays the dual role of King Rudolf V of Ruritania and his British cousin, Rudolf Rassendyll, who are as alike as identical twins. When the king is kidnaped by his conniving brother Michael (Robert Douglas), who has designs on the throne, Rassendyll obligingly shaves off his mustache, rivets a monocle into his profile and steps into the royal breach. After much leaping from balconies, swinging from trees, swimming across moats, charging across drawbridges and assorted gunplay and swordplay, Michael gets his comeuppance, the king is restored to his throne, and Rassendyll returns to England, enthroned in the heart...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 3, 1952 | 11/3/1952 | See Source »

...stories: The Gift of the Magi (0. Henry's most popular story) about a poor bookkeeper (Farley Granger) who sells his gold watch to buy a set of jeweled combs for his wife (Jeanne Grain) for Christmas, while she sells her beautiful hair to buy him a platinum watch fob; The Last Leaf, in which an unsuccessful artist (Gregory Ratoff) paints his masterpiece to keep a dying girl (Anne Baxter) alive; The Clarion Call, about a cop with a conscience (Dale Robertson) who has to arrest an old chum (Richard Widmark...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 22, 1952 | 9/22/1952 | See Source »

...Wild North (MGM) revives that familiar old figure of fresh-air fiction, the Canadian Mountie (Wendell Corey) who is out to get his man. In this version the quarry is a killer (Stewart Granger) who, as it turns out, has done his shooting in self-defense. On the way back, a wolf pack takes a few bites out of Corey, and Granger ends up by bringing in the Mountie. Also present: a beautiful Indian girl (Cyd Charisse) who is fond of Granger. There are vivid color shots of the snowy north country and several lusty action scenes, but The Wild...

Author: /time Magazine | Title: Cinema: All Outdoors | 6/2/1952 | See Source »

Scaramouche (M-G-M), based on Rafael Sabatini's costume-adventure yarn of pre-revolutionary France, combines spirited swordplay with a somewhat sluggish screenplay. Scaramouche (Stewart Granger) is an aristocrat who is bent on avenging the murder of his friend by malevolent Monarchist Mel Ferrer. Not only does Granger prove more than worthy of Master Swordsman Ferrer's steel; he also proves to be quite a gay blade by hiding out from the authorities with a troupe of traveling players. By the fadeout, Granger has found that Ferrer is really his halfbrother, and, in a happier twist...

Author: /time Magazine | Title: Cinema: The New Pictures, may 26, 1952 | 5/26/1952 | See Source »

This French pastry has been served up with a rich helping of Technicolored spectacle as well as a good bit of overly rich dialogue and direction. The action includes a number of chases on horseback and a spectacular dueling scene in a candlelit Parisian theater, with Ferrer and Granger bounding from balcony boxes to backstage. Ferrer makes a smartly menacing Marquis, and Granger is a fine, swashbuckling figure, although he suggests little of that "gift of laughter" of which Sabatini wrote. Also on hand, in a minor role: Lewis Stone, now 72, who played the villainous Marquis to Ramon Novarro...

Author: /time Magazine | Title: Cinema: The New Pictures, may 26, 1952 | 5/26/1952 | See Source »

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