Word: grangers
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Director Nicholas (Knock on Any Door) Ray has succeeded in breathing some new life into his hackneyed plot. An escaped lifer (Farley Granger) and his girl (Cathy O'Donnell) hopelessly try to filter through a police dragnet. As their flight zigzags through central Texas, they get their first good view of the world and their first happiness in it. Only rarely, e.g., in a morning shot of Cathy purring glamorously in bed, do they act in tried and untrue Hollywood style. As usual in a cross-country chase, the movie spots its young folks in a grubby motel...
Moralists may squirm at the fact that the lovers, while longing for a less dangerous life, seem to feel no guilt over their lawbreaking. They take real pleasure in the comforts gained by Granger's cut of a bank robbery and budget their ill-gotten hoard as if they had slaved for it. Working on the notion that bank robbers are a likable lot among themselves and get the same pleasure out of their work as any other skilled craftsmen, Director Ray and Scriptwriter Charles Schnee have served up some fine, entertaining scenes. Their best characters: Howard Da Silva...
...also henpecked husbands and harassed fathers. Their five wives, captained by Gloria De Haven, are all psychology students determined to reduce their husbands to baby burpers and dishwashers. The obvious problem, in due course obviously solved: Who is going to carry the ball for the glory of dear old Granger...
...tempered, hard-drinking Hatfields are helling about after bear and possum in their own backyard. On the Kentucky side of the Big Sandy River, the hard-working McCoys are peaceably tending their taters and corn. But the armistice is not to last. When young Johnse Hatfield (Farley Granger) falls in love with Roseanna McCoy (Joan Evans) and carries her off to be his bride, hell breaks loose on the border. In no time at all, every Hatfield in the hills is blazing away at the nearest McCoy...
Temporarily at least, Clift and Douglas have run away from such other promising newcomers as Arthur Kennedy, Richard Basehart, Robert Ryan, John Lund, Farley Granger, Louis Jourdan, Ricardo Montalban and Christopher Kent. One who has not been left behind is Melchor Ferrer (no kin to Broadway's Jose), an experienced actor. His performance in Lost Boundaries, as the Negro doctor who secretly crosses the color line, is one of the year's best. Scarcely a newcomer, but definitely a comer, is Richard Widmark. It took two years and three pictures for 20th Century-Fox to dilute the Widmark...