Word: grant-in-aid
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...even seen before. It may not make a great deal of difference in the case of a Gilbert and Sullivan or Hasty Pudding show, both organizations sport blindly loyal followers generally impervious to reviews, but a bad Crimson review can often destroy the potential audience for a Radcliffe Grant-in-Aid or House production, and even for some kinds of Loeb mainstage shows the impact is significant. How then, should The Crimson develop more sophisticated, sensitive, and better informed critics...
PROMISES, PROMISES, by Burt Bacharach and Neil Simon and all those people. Mostly unfulfilled, according to The Crimson. Benefits Radcliffe Grant-in-Aid. 8 p.m. at Agassiz...
PROMISES, PROMISES. I believe the music for this is by Bert Bacharach, and I know it has a catchy title song. Radcliffe Grant-in-Aid's last production was Suffragette, an original musical which went on to win awards and things. This one has previews tonight and tomorrow (half-price), opens Saturday at 8 p.m. at Agassiz...
Agassiz Theatre, Radcliffe Grant-In-Aid...
There is no question that the suffragettes have long deserved a voice and a presence on the stage. We are ready for Suffragette! the way we were ready for West Side Story when it appeared. The Radcliffe Grant-in-Aid production has dramatic talent, exciting songs, and a very timely subject in its favor: the music alone is certainly worth the price of a ticket. But Suffragette! needs a sounder conceptual base to match and support the message, if the message is to move with Suffragette! outside of Cambridge...