Word: grant
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Dates: during 1990-1999
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...life imitating art as Hugh Grant strides up the road toward a popular bar in the heart of London's Notting Hill, the neighborhood, just around the corner from a travel bookstore suspiciously like the one he runs in Notting Hill, the movie. No cameras are rolling, no colorful extras mill about, but the sunglasses do little to disguise his identity, given that the rest of the Hugh Grant package--the blue shirt and khakis, the bounteous hair he repeatedly refers to as "floppy"--is reassuringly intact. And so is that Hugh Grant awkwardness; he somehow manages to walk straight...
...sort of sequel to Four Weddings and a Funeral, at the time of its 1994 release the most successful British film ever made, the new movie follows the first in only the following ways: both were written by the gifted comedy writer Richard Curtis; both star fabulously inaccessible (to Grant) American women--in this case Julia Roberts; both feature appealing groups of friends in varying states of lovelornness; and both allow Grant to be the most lovelorn of all, a romantic hero in the deer-in-headlights mode that made him so popular in the first place. As Four Weddings...
...therein lies the Hugh Grant problem--for there's been a bit of a problem. Even in a profession notable for its make-'em, break-'em lift-offs and plummets, Grant's career has had a greater sizzle, louder fizzle than most. Can anyone remember what he has done since Four Weddings? There have been a few films, either financial flops, like Extreme Measures; mistakes, like Nine Months; or period dramas more memorable for the performances of others, like Sense and Sensibility. Oh, and there was his most unforgettable role of all--international whipping boy of 1995 after that "lewd...
After these experiences, Grant, now 38, appears to be older, wiser and more rueful--but only in an utterly boyish kind of way. Of Divine Brown--and the headlines like CAN HOLLYWOOD EVER FORGIVE HUGH?--Grant says, "The day after all that happened, the head of Disney was calling me up to beg me to be in 101 Dalmatians. Hollywood never had a problem with it." Newell agrees: "People loved him, they forgave him. Once you've got that relationship with the [audience], they're going to come...
...selection committee looks for student proposals that will endure beyond the yearlong grant. In that capacity, two of the recipients are expanding current programs and two are working with existing organizations...