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Original compositions on this album tend to sound uneventful and sometimes unoriginal, and while it's admirable that Grisman and Rice included string versions of such diverse tunes as the Django Reinhardt/Stephane Grapelli jazz tune "Swing '42," and the perennial Italian wedding favorite "O Sole Mio," neither of these tunes have any relation to American folk music, nor do they sound particularly interesting performed on guitar and mandolin. Sometimes a jazz tune is just plain better when played by jazz musicians on traditional jazz instruments...

Author: By James B. Loeffler, | Title: Tone Poems Lacks Expressiveness | 12/15/1994 | See Source »

...violin was not invented for classical musicians; it was created for Stephane Grapelli. No, the violin was not created for Stephane Grapelli--it grew out of his chin. Stephane Grapelli is to the jazz violin what Buddy Rich (you did not for one moment think that I would leave the Big Bud out of this column, did you?) is to the drums. That is, Grapelli is a genius, an immensely enjoyable violinist...

Author: By Scott A. Kripke, | Title: No Drowning in the Mainstream | 3/9/1978 | See Source »

...Grapelli and Reinhardt formed the quintet for Le Hot Club in 1934. Grapelli had just begun to make a name for himself as a solo musician. Django was already famous throughout Europe. A gypsy by birth, Django was the first great jazz guitarist. He revolutionized guitar technique. He had lost two left-hand fingers early in his life. This handicap led him to invent new ways of playing and resulted in new sounds, new progressions, and new rhythms. Grapelli's swinging, raggy violin worked well with Reinhardt's rhythmic guitar style. The two were a smash hit throughout Europe. They...

Author: By Scott A. Kripke, | Title: No Drowning in the Mainstream | 3/9/1978 | See Source »

...Grapelli's sound, his swing, is unmistakable. He can play exactly as he did in 1934. He has also recorded some modern works with Jean-Luc Ponty. And he has even recorded with Yehudi Menuhin. He will play his versatile violin tomorrow night with the Diz Disley trio at the Berklee Performance Center...

Author: By Scott A. Kripke, | Title: No Drowning in the Mainstream | 3/9/1978 | See Source »

...talking again: "Grapelli's innate sense of swing, his incredible control just leave you agape." I turn the radio off and finish this column. Wouldn't it be nice if Brother Blue were right? Wouldn't it be nice if Louis and Django did jam every night, just for fun? "Humbling thought," as George Wald used to muse...

Author: By Scott A. Kripke, | Title: No Drowning in the Mainstream | 3/9/1978 | See Source »

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