Word: graphic
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Dates: during 2000-2009
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...after a heart attack, couldn't be more infra dig: they were sold under the counter, mailed in plain brown wrappers. Yet decades later she was elevated to the status of pulp goddess. The beatification process began in 1980, when artist Dave Stevens created a Bettie character in his graphic novel The Rocketeer. Jennifer Connelly gave her full-figured life in the 1991 movie version, and the cult was under way. In a 1997 episode of The X Files, there was a talking Bettie Page tattoo, voiced by Jodie Foster. (See TIME's Top 10 Fleeting Celebrities...
Acclaimed for his illustrated books The Lost Thing (2000) and The Red Tree (2001), the Australian artist, illustrator and writer Shaun Tan took an enormous leap in recognition two years ago with the publication of The Arrival, his miraculous, wordless graphic novel, executed entirely in sepia-tinted drawings of breathtaking beauty and originality. It went on to bag a clutch of prestigious awards and became a New York Times best-selling children's book...
...Beijing pull this off? The country has an advantage: it has not yet leveraged its enormous domestic market. The service sector has huge potential. Consider entrepreneurs like Colleen Wang. Instead of employing low-wage metal benders, Wang's ad agency, Rayken, provides jobs for young, middle-class professionals: graphic designers, art directors, a couple of account executives and several copywriters...
...Sony or Apple explicitly allows them to be played. When these companies collapse, the media files will be worthless. Every encrypted iTunes download strengthens the hold of DRM, so smash your computer before it’s too late. 2. Vista Now that Apple computers can run Windows, even graphic designers and college kids are not safe from the horrors of Windows Vista. If you leave your computer alone for just a moment, it could be running Vista when you return. To prevent this from ever happening, switch to an abacus or slide rule. 3. The environment Desktop computers...
...graphic depicting a man hanging from his wrists by a red rope next to the words ‘Freedom from slavery, torture, and degrading treatment’ was projected onto Widener Library last night as part of a series of black, white, and red words and images in filmmaker Julie Mallozi’s celebration of the 60th anniversary of the Universal Declaration of Human Rights. The ‘60.30.1’ light installation by Mallozzi begins a week’s worth of events celebrating the anniversary. The piece, whose title is a reference...