Word: graphic
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...Hear The Sirens” adopts the party-pop ethos of 2003’s “Dangerous Magical Noise.” The undeniable standout track is “Leopardman At C&A,” a sinister rocker with lyrics by graphic novelist Alan Moore of “V for Vendetta” fame. The song, based on the graphic novel of the same name, paints a savage, futuristic world of “barcode face tattoos,” “vegan cannibals,” and barbarians that...
This is an old story in other ways. There is a nostalgic cast to the race - Obama is running Austin television ads that are vaguely Woodstockian with smiling faces and young, casually dressed supporters cheering and waving. "We can save the world!" the graphic exclaims. In the Rio Grande Valley, now a booming trade center but once home to shabby migrant labor camps, Clinton is running ads featuring Robert F. Kennedy Jr. and the grandson of United Farm Workers icon Cesar Chavez. And the aging lion of the Democratic Party, U.S. Senator Teddy Kennedy, has been holding rallies on college...
...Parents Television Council (PTC), a TV-decency watchdog, is not so charmed. When CBS picked up Dexter as a strike replacement from sister network Showtime, it cut out the most graphic violence and language, but the group is pressing advertisers to boycott the show anyway. Edits or no edits, says PTC president Tim Winter, "it's the entire premise that's the problem. You are in a disturbingly queasy way rooting for a mass murderer to kill somebody...
...Harry Caray he wasn't. But graphic designer Karl Ehrhardt achieved cult fame among baseball fans as the New York Mets' self-appointed commentator. From 1964 to 1981, the "Sign Man of Shea Stadium"--whom the Mets flew to the 1973 World Series for good luck--sat in the stands and held up hundreds of prepared block-lettered placards to tweak (JOSE CAN YOU SEE? when Jose Cardenal struck out) or praise (IT'S ALIVE! when a weak player got a hit). "I called them the way I saw them," he said...
...After the screenings, Penn spoke to the audience about both the serious and the humorous, discussing filmic violence and politics while sharing anecdotes about his experiences working with the likes of Marlon Brando and Gene Hackman. When first released, Penn’s films were groundbreaking for their graphic representations of violence and social tensions that had been previously absent in movies, which Penn said was intended to echo the brutal assassinations of prominent leftist individuals, the rebellious youth and counter-cultural movements sweeping the nation, and the hostile oppositional beliefs so prevalent in American society at the time. Penn...