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Word: graphical (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

When the two pop artists first strode out upon the New York City art scene with their motley amalgams of commercial layouts, graphic devices and gigantic blowups, Rosenquist and Lichtenstein seemed as hard to tell apart as Hamlet's Rosencrantz and Guildenstern...

Author: /time Magazine | Title: Painting: Rosenquist & Lichtenstein Are Alive | 1/26/1968 | See Source »

Only in A Place Apart by Wendy Perron was a choreographer successful in sculpting beautiful, interrelated movements: this at moments was a kind of graphic art. At moments too. Whittaker Sheppard's sketch of death, Incident at Dusk, communicated a horror and panic that was intended. Despite her confusion of narcissism with self-discovery, Lisa Nelson alone moved away from the dramatic toward the kine-esthetic, and she worked her cumulative effect, instead of striving for profoundity with each gesture...

Author: By Maeve Kinkead, | Title: Dance Troupe | 1/24/1968 | See Source »

...Buell has been active in Cambridge politics and was an unsuccessful candidate for Cambridge School Committee last fall. From 1964 to 1967, she operated Aristographia, a graphic arts studio in Cambirdge which she founded. In 1964 and 1965, she was also a member of a research project conducted by the Department of Nutrition at the Massachusetts Institute of Technology...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe Names New Fundraisers | 1/5/1968 | See Source »

...movies are now treating once-shocking themes with a maturity and candor unthinkable even five years ago: the life of drug addicts in Chappaqua, homosexuality in Reflections, racial hatred in In the Heat of the Night. And The Graduate, a new Mike Nichols film, is an alternately comic and graphic closeup of a 19-year-old boy whose sexual fantasies come terrifyingly true...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

...into the action is particularly fortunate, given that Mayer's construction calls for tag lines, blackouts, and the immediate appearance of a next scene. Mayer's sense here borders on the cinematographic: one transition hinges on sound (a boisterous marching song fades into a church hymn), others on highly graphic contrasts of light and mood...

Author: By Tim Hunter, | Title: Prince Erie | 12/8/1967 | See Source »

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