Word: graphical
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...corruptive properties of cinema, he could have found no more devoted Watch-man than Snyder, who willed the project into screen reality after Terry Gilliam and others failed. The ultimate fetishist auteur, Snyder takes hallowed pulp artifacts--the '70s horror movie Dawn of the Dead, the Frank Miller graphic novel 300 and now this--and films them with the near fanatic fidelity of someone constructing an Eiffel Tower replica out of matchsticks. To Watchmen, he brings a reverence for the text that equals Mel Gibson's in The Passion of the Christ and comes close to Gus Van Sant...
Bottom line: this is about knowing what you're getting into. The mistake for newcomers would be to confuse Watchmen the film with Watchmen the graphic novel--to think of the film as a substitute for the book. The two are neither identical nor symmetrical. The film is an homage to the original or perhaps an advertisement for it, but nothing more...
...film, budgeted at $100 million and the object of a rights wrangle between Warner Bros. and 20th Century Fox, has received less than rapturous early reviews. In his Hollywood Reporter critique, Kirk Honeycutt predicted that the film would be "the first real flop of 2009." (See the top 10 graphic novels...
...declined screen credit on the Watchmen movie. But whatever his thoughts on the corruptive properties of cinema, he could have found no more devoted Watch-man than Snyder. The ultimate fetishist-auteur, he takes hallowed pulp artifacts - the '70s horror movie Dawn of the Dead, the Frank Miller graphic novel 300 and now this - and films them with the near-fanatic fidelity of someone constructing an Eiffel Tower replica out of matchsticks...
...rest of her adolescent life is spent on the streets, in and out of shelters, motels, and abandoned apartment buildings, and the bulk of narration is devoted to the steady incineration of childlike innocence.As Joon experiences increasingly disturbing events the deeper she delves into street life, Mun details graphic descriptions of drug abuse, crime, self-mutilation, and abusive relationships in an eerily dispassionate tone. She moves through varying degrees of misfortune with a businesslike lack of emotion—a methamphetamine and bourbon-induced haze is described with the same clarity as a Narcotics Anonymous meeting. Joon herself eventually acknowledges...