Word: graphically
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Dates: during 1970-1979
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...guards 44 Maintenance Trades Council of New England, AFL-CIO electricians carpenters painters 353 Dec. 7, 1979 Hotel Restaurant and Institutional Employees Union Local 26, AFL-CIO 534 June 1980 Harvard University Police Association 47 Dec. 31, 1979 Boston Typographical Union Local 13 AFL-CIO 14 Spring 1980 Graphic Arts Intermational Union Locals 300 16 b AFL-CIO bookbinders lithographers...
...Shoes--this pissant of a volume--is a milestone of the publishing industry; the perfection of the minimalist approach to writing. We have what is, ostensibly, a book. It's nicely bound, has an attractive cover, and won't fall apart when you pick it up; some high-priced graphic designer took a lot of time designing its contents, its fuzzed-out photos, well-spaced lines and wide margins. The choice of typeface is tasteful...
Somewhat like his photos, Adams is larger than life. More than a million copies of his books have gone into print. The latest, Yosemite and the Range of Light (New York Graphic Society; $75), will be published next week. The publication is timed to coincide with "Ansel Adams and the West," a two-month retrospective of 153 of his landscape photographs, organized by the Museum of Modern Art's director of the department of photography, John Szarkowski, and opening at MOMA next week. In workshop sessions over the years, Adams has personally taught at least 4,500 students. Original prints...
...Israel, the group toured Yad Vashem, Jerusalem's graphic memorial to the Holocaust. Passing the photographic murals of atrocities and victims, Professor Yaffa Eliach of Brooklyn College kept remembering the cries of her infant brother as they hid in Vilna until at last he was smothered by adults who feared that he might give them away. "There is an unbridgeable difference between those who went to the camps in the '40s and ourselves today," she insisted. "We have round-trip tickets. They didn't. It is impossible to fully recall the horror...
...every point as economically as possible. His style is the visual equivalent of John D. MacDonald's prose, which serves this kind of material well. The tension builds so naturally that neither hokey music or contrived menace is necessary. Only once does Siegel lose control - in a jarringly graphic finger-chopping scene that lit erally and figuratively sticks out like a sore thumb...