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Word: graphically (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
Sort By: most recent first (reverse)


Usage:

...TIME Graphic by Joe Lertola and Jackson Dykman

Author: /time Magazine | Title: Charging Into Fame | 6/25/2006 | See Source »

...leading politician, was gunned down by his brother. The doctors admit that the prodigal son's blood is swimming with traces of cocaine, opiates, barbiturates and cannabis, among other substances. It's on the cover of every paper, with one daily dedicating half its front page to a graphic-novel style recreation of the fateful, bacchanalian night of partying...

Author: /time Magazine | Title: Hard Drugs Hit a New High in India | 6/12/2006 | See Source »

...technical specialist with extensive knowledge of and training with systems or equipment that is beyond the duties of general officers or other personnel. There are five successive grades Sources: U.S. Marine Corps; GlobalSecurity.org satellite image from Digital Globe via Google Earth TIME Graphic by Jackson Dykman and Joe Lertola; timeline by Jeremy Caplan

Author: /time Magazine | Title: The Ghosts Of Haditha | 6/4/2006 | See Source »

...Still, Fun Home's personal exegesis can read a little too much like a personal essay with illustrations, rather than a fully organic work of graphic literature. The author often insists on telling us about an event, with critical hindsight, in a running narration over the tops of panels that simply duplicate what you read. For example, in one scene Alison must help her father hang a mirror in her already over-decorated room. "I hate this room," she says in the panels. "When I grow up my house is going to be all metal, like a submarine." This says...

Author: /time Magazine | Title: No Need for Sensationalism | 6/1/2006 | See Source »

...wouldn't guess that We Are On Our Own is Katin's first graphic novel. Having illustrated children's books and worked in animation, Katin has had a lifetime of practicing her visual narrative skills. Working mostly in graphite pencil, the monotone palate evokes the grey days of Nazi rule in a past desaturated of color. Instead, Katin uses shading to create detail and rich texture. She keeps the layout simple, with rarely more than six panels per page. When the action heats up, characters will burst out of their borders, making the page more dynamic...

Author: /time Magazine | Title: No Need for Sensationalism | 6/1/2006 | See Source »

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