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...cachet that contemporary art can bestow on fashion was one of the big creative and commercial themes at the recent runway shows in Paris and Milan. Miuccia Prada collaborated with architect Rem Koolhaas and graphic-design company 2x4 to create dizzying backdrops for her Art Nouveau-inspired prints. Domenico Dolce and Stefano Gabbana opened their show with a video of an artist painting a canvas with flowers. The models appeared in dresses of hand-painted organza. Although there was no direct collaboration, the brilliant layers of opaque color that Raf Simons created for the Jil Sander show looked like...

Author: /time Magazine | Title: Art Lessons | 10/11/2007 | See Source »

...male-dominated field. She recalled being belittled by a male colleague decades ago, describing his argument as, “You can do what you want to do, but you can’t expect us to respect it.” Since then, Schneemann has focused on graphic portrayals of the female form. “Interior Scroll—The Cave” depicts eight women, including Schneemann, pulling thin strips of paper printed with typewritten words out of their “second mouth,” as Schneemann called the vagina. In “Body...

Author: By Diane J. Choi, CONTRIBUTING WRITER | Title: Artist Flashes Creativity | 10/10/2007 | See Source »

...known for his animalistic brutality, bares a worn, solitary countenance behind closed doors. These two dichotomous characters unwittingly create a relationship that assumes a dual nature in itself: restrained and unbridled, violent and erotic, lustful and odious. These dualities grow inextricably intertwined through intimacy, portrayed in a series of graphic sex scenes. Though these scenes are clearly responsible for the film’s NC-17 rating, the bedtime power plays expose the relationship’s ability to consume and transform the pair. Unfortunately, the evolution of this relationship is about as far as the film goes. Exhibited largely...

Author: By Erin F. Riley, CRIMSON STAFF WRITER | Title: Lust, Caution | 10/5/2007 | See Source »

...rally).A disparate but telling mixture of objects and art are on hand for illustrative purposes. Case in point: drawings and paintings they produced under the same teacher are presented alongside a wedding album.Meanwhile, the uninitiated are introduced to examples of Herbert Matter’s work as a graphic designer, including ads in Vogue. But his more esoteric work is on display as well, including a video he produced and directed to highlight Calder’s work, set to the music of John Cage.With the introductions complete, the exhibition delves further into the interplay between Pollock and Matter?...

Author: By Anna K. Barnet, CRIMSON STAFF WRITER | Title: Pollock Show Goes Beyond Controversy | 10/5/2007 | See Source »

...Trade Center when a plane struck the building, she said. The fire burned her terribly. She made it out, only to discover that she'd left her life behind: her fiancé was in the North Tower, she said, and he had died. She did not dwell on the graphic. She seemed, more than anything else, fragile, and nothing less than convincing...

Author: /time Magazine | Title: A 9/11 Survivor — or 9/11 Impostor? | 9/28/2007 | See Source »

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