Word: graphics
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Dates: during 1960-1969
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...style in graphics went on display last week at Manhattan's Museum of Modern Art with 48 prints by 15 artists. In the opinion of the museum's print director, William Lieberman, the pioneer of the movement is Robert Rauschenberg, who in 1964 created a print called Shades, which was, in effect, an art-toy-graphic. He transferred bits of newspapers and magazines onto a lithography stone, then inked and printed the image on an acetate sheet, which he in turn laminated on Plexiglas. Finally, he illuminated the whole thing with a light bulb. The result: a movable...
Will Eisner, The Spirit's creator, was one of the best of the comic book artists of the '30's and '40's. He wrote his own strips, and drew them in a violent graphic style related to the German expressionist approach to moviemaking practiced by Fritz Lang, G. W. Pabst, and F. W. Murnau. Eisner's strip was filled with horrifying close-ups, weird shadows, and strange angles. Jules Feiffer claims that The Spirit's world looked "more real than the world of other comic book men because it looked that much more like a movie...
With Surveyor's graphic pictures and clear telemetry before them, scientists were able to draw their firmest conclusions yet about the lunar terrain. At a Washington press conference, they announced that the moon's surface pre sented no great obstacles to a manned lunar landing; its consistency is almost earthlike, and its bearing strength -about 5 Ibs. per sq. in.-is more than enough to support the weight of Apollo's Lunar Excursion Module. "In one sentence," said JPL Project Scientist Leonard Jaffe, "the moon surface looks like a soil, not very hard, with rocks and clods...
...magazine publishers. Petersen's Motor Trend (monthly circ. 500,000) is not far behind, with 9.02 readers per copy. A sort of high-power consumer magazine, it "is for the average fellow with an above-average interest in autos," says Petersen. Car Craft, Rod & Custom, and Sports Car Graphic cover the other auto buffs Petersen could think...
...components of the cover story clearly demonstrate another method of illumination: the graphic arts. One is the cover itself, the first for TIME by California Artist Gerald Gooch, who, having once aspired to a career in professional baseball, approached his commission with zest. His nine sequential oil studies of Marichal in the act of making a single pitch are a rare example of an artist catching this kind of action. "You will notice," says Gooch, "that the three panels from upper right to lower left, in a diagonal line through the center, sum up the action of the pitch...