Word: graphics
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Dates: during 1960-1969
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Good Tidings. Humphrey went next to Karachi, where the populace was cool and the press preachy. The Vice President got a graphic reminder of past strains in U.S.-Pakistan relations (despite the $4.7 billion that the nation has received in American aid) when his motorcade took him past the ruins of a U.S. Information Service center that was set afire in anti-Washington riots last September. To both Pakistan and India, which are still smarting over suspension of U.S. aid programs as a result of their border war over Kashmir, Humphrey bore good, if modest, tidings. After conferring with Pakistan...
...halt, the healed, the healers, the doubters and the eyewitnesses involved in some ancient miracles. Occasionally, the film is as violent as history itself. The slaughter of the innocents looses an avalanche of pity and terror upon a sunny hillside, and the Crucifixion scene could scarcely be more graphic. These episodes are offset by the subtle lyricism of the flight into Egypt, when Mary turns for a last, lingering look at the humble comforts of her home...
GENERATION. A Chicago advertising man (Henry Fonda) sends his daughter to finishing school, and she ends up in a Greenwich Village loft with the kind of kooky husband who wears blue beads because he likes the way they catch the light. Fonda's graphic consternation provides the entertainment...
...strong sunlight that bathes Italy, the Renaissance masters reveled in huge walls of spectrum-splattered fresco. In darker Northern Europe, the Renaissance first came in the more compact fashion of the graphic arts, in which line dominates color. And no one in the Renaissance drew a finer line than Albrecht Dürer (see color...
...action areas in two often sleepless weeks. Their dispatches filed around the clock for nine days over our new direct teletype channel from Saigon to New York, came to more than 50,000 words, from which Writer Jason McManus and Senior Editor Ed Hughes fashioned their account. A graphic part of the story is Cartographer Robert Chapin's map showing (within the limits of security) scale diagrams of the bristling new U.S. bases. Eight pages of color photographs-most of them taken only a few days ago-round put the picture of the new war in Viet...