Word: graphics
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Dates: during 1960-1969
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...tyranny of oils is over. For the collector, the opportunity to buy graphic art, numbered and signed by the artist, presents an economical way to own original art. For the artist who has caught onto the million ways of making graphics with new materials, the horizon is even wider...
...show at Manhattan's Associated American Artists print gallery reveals how diverse are the means of graphic art. Called "The Plate, the Block, the Stone and the Print," the show contrasts the medium with the result-often as dramatic as the difference between rabbit glue (that's one new art material) and beauty. The apparently blank expression of a plate can, when variously inked and pressed on paper, become more radiant than a rainbow...
...cares very much about what he has to say and how he means to say it. John Hubley learned his trade in Disney's shop, later developed a moneymaking style of his own (Gerald McBoing Boing, Mr. Magoo). But at 50 he aspires to be a serious graphic artist, a Matisse of animation...
AMERICAN PRINTS IN RUSSIA-Associated American Artists, 605 Fifth Ave. at 49th. The U.S. Information Agency's graphic arts exhibition so wowed the Russians (1,600,000 saw it in seven months) that 23 prints were added when it reached Moscow. Those prints are on display here. Some of the artists: Warrington Colescott, Dean Meeker, Harold Altman, Mel Silverman. Through June...
...nature, lithography is more direct and spontaneous than other graphic arts. No chiseling, carving or etching is required: the artist just draws on the stone. Wide ranges of effects are possible: both June Wayne's Dorothy the Last Day, an impression of her mother just before she died, and Sam Francis' untitled abstraction use four colors apiece. Lithography bears up under both subtle gradations and flamboyant freedoms of color, fluidity of materials and spontaneity. When desired, reproductions from the stone can artfully simulate many of the effects of painting...