Word: graphics
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Dates: during 1980-1989
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This and similarly graphic scenes serve to frame the novel's artfully related subjects: the fiction writer's need to acknowledge the deceitful nature of his craft, and the political activist's need to convince himself that his ideology is the only truth. The tragedy of Alejandro Mayta is that the give-and-take of public affairs is too perplexing for his blind faith. Like the narrator, he cannot escape the comic ironies that respect no certitudes. When free as an Andean condor, Mayta is a dedicated Communist. Imprisoned, he is a revolutionary whose zeal leads to reforming the convicts...
...oldest document in the exhibition is a 1775 proclamation by King George III urging the colonies to engage in "Suppressing Rebellion and Sedition." Other graphic entreaties were more persuasive. One from 1880 exhorts settlers to move into "Indian Territory, That Garden of the World, Open for Homestead." A health campaign from the 1940s warns, "Syphilis Keep Out!" Meanwhile, another broadside urges Americans to eat a balanced diet to "Make America Strong...
Strangely these stories do not bear down on the reader with the weight of their brutal sex and violence; rather it is Angelo's stylistic violence that is almost unbearable. The graphic, crude rape of Bete, a prostitute, and the torture and murder of five men innocently drinking at the local bar stand out almost as welcome reference points in a mass of words that create--and then ignore--these scenes of horror...
...distant war-torn land prevents adequate media coverage, but this is clearly not the case. The reports filed by journalists working at the refugee camps in the relative safety of northern Pakistan are quite numerous, and, combined with the smaller number of reports from inside Afghanistan, provide such graphic and horrifying evidence of Soviet atrocities that it's hard to imagine a more gripping and newsworthy event in the world today...
...worries about how his work will be received. As Prum tells the audience after one particularly trying episode (in which a gigantic and incredibly spooky inflatable Deity fills the stage), "It would be better if I was a book. . . [a book] would be very clear." Instead, Potluck represents the graphic adventures of a rampaging Id--that of director/author Fitch and his fellow writers Prum and David Reiffel--leaving the question of clarity up to the spectator...