Word: graphics
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Dates: during 1980-1989
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...libretto by W.H. Auden and Chester Kallman. Hockney, never embarrassed about paying homage to his aesthetic hearth gods, did the whole thing in the manner of Hogarth's engravings of that moral phantasmagoria set in 18th century England, stylizing the sets into crosshatched black-and-white etchings. Their graphic wit and punch reached a memorable climax in the final scene, where poor Tom Rakewell, insane at last, finds himself in Bedlam. The wall is covered with graffiti, each one a quotation from Hogarth, and in front of it the chorus of lunatics is housed in a stack of boxes...
...high on social "relevance," as they called it, to learn much. Now social irrelevance is fashionable; schools tend to condone a lazy hero worship of famous designers instead of requiring students to think and create on their own. Parsons, one of the best and largest schools of fashion, graphic, interior and product design, with a New York enrollment of 6,700 and branches in Los Angeles and Paris, is no exception...
...when Nathan Garland first constructed the official logo. Ryan sent the New Haven graphic designer back to the drawing board for fine tuning several times. He wanted Garland to measure the total square area alloted to both the block H and block...
...article, "Research Assistance: Buying Black Market Term Papers," did not actually mention the firm. However, a graphic for the story consisted of an ad for the company and the caption "recent advertisement for 'research' help...
...happenings of that year. Though we compressed a great deal, we did not rewrite or revise the stories. Old-fashioned spellings and usages like Negro were not altered. Each picture too was chosen from those that appeared in TIME during that same year. And in headlines, type faces and graphic design, we followed as closely as possible the styles that TIME used at various periods in its past...