Word: graphics
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Dates: during 2000-2009
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BEETLES, DRAGONFLIES and even a stray butterfly or two are creeping into the home-décor market, shooing away the graphic, geometric prints that have for so long dominated the scene. Mother Nature now alights on everything from John Derian découpage platters to branch-shaped candle holders by Michael Aram. Even Van Cleef & Arpels is escaping to the garden with a dazzling dragonfly clip. ?By Betsy Kroll
This is a tale so primal and pitiable that for many a former child it deserves to be retold on an analyst's couch. The boy has fallen in love with comic books; studied and memorized their narrative outrages, their graphic ingenuity; saved them in meticulous stacks or mold-resistant wrappers. Then he hears his mother say she was cleaning up the basement and "I threw that junk out." Junk! the child cries. Those yellowing pages of newsprint, those copies of Mad and Vault of Horror and Weird Science were my obsession, my vocation, my youth...
...this was a lost continent. Comics are one of the most important forms of artistic expression in America, and they were never given proper attention." To focus that attention, Carlin and fellow curator Brian Walker selected 15 artists who created their own visual languages and did so with distinctive graphic grace and power...
...created enduring characters, styles and narratives from the golden age of the daily strip. Peanuts' Charles Schulz is represented, as are the creator-artists of Popeye (E.C. Segar), Dick Tracy (Chester Gould) and Terry and the Pirates (Milton Caniff). From the '50s, the emphasis segues to comic books and graphic novels. With Mad, Harvey Kurtzman virtually invented what would become the era's dominant tone of irreverent self-reference. He inspired several of the artists, including R. Crumb, whose exemplarily twisted panels first appeared in Kurtzman's post-Mad magazine Help!, and Art Spiegelman, whose Pulitzer-prizewinning Maus...
...total of 0.14 seconds. It took outraged conservatives only slightly longer to post allegations of media bias, with THE FILTHY ONE dubbing CNN "the al-Jazeera of the West." But skeptics accepted the network's apology for the glitch--"a dumb one," noted blogger MICHELLE MALKIN--after some graphic-savvy sleuthing at THE DAN REPORT. By revealing the underlying production notes that explained away the X, the blog elicited the posting: "So no sinister plots. But I'll bet some control-room jockey is worried about...