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...domain"). Now it's size that counts; sense and scruples don't. As Spielberg says, "If the '70s and '80s were the era of the What if? movie, then the '90s are the era of the What the heck! movie. We say, 'Hey, this is so beyond our logical grasp, so out of this world, that we're just going along for the ride...

Author: /time Magazine | Title: THE INVASION HAS BEGUN! | 7/8/1996 | See Source »

Brennan succeeded by refining ideas. Those are the real coin of influence. The ones that rank as influential tend to be simple to grasp, endless in their implications, challenging to accomplish but still within the realm of possibility (for instance: Love thy neighbor). Perhaps one of the most influential men in American politics is the late Leo Strauss, the German emigre political philosopher who taught at the University of Chicago in the 1950s and '60s. His distrust of moral relativism, his deep skepticism about the benefits of the Enlightenment and his concern that the unchecked authority of reason would sabotage...

Author: /time Magazine | Title: YOU'VE READ ABOUT WHO'S INFLUENTIAL, BUT WHO HAS THE POWER? | 6/17/1996 | See Source »

Cezanne has often been called a universal artist, but you cannot grasp his work unless you realize that he was a deeply local one as well. He was not just French but southern Mediterranean French, a Provencal; and the obsessive, enduring, reinforcing sense of the particular landscape of his cultural memory is wound into his work so far as to completely remove it from the domain of pure, unsymbolic form. In a sense it is part of the great movement away from the national toward the local that characterized so much of European, including French, culture in the latter half...

Author: /time Magazine | Title: ART: MODERNISM'S PATRIARCH | 6/10/1996 | See Source »

...feel Judith really has a good grasp of how PBHA runs," Han says...

Author: NO WRITER ATTRIBUTED | Title: Debate on PBHA Structure Rages | 6/4/1996 | See Source »

...hand. I practiced my violin, played sonatas with my classmate Noel Lee '46-'48 and played in the Harvard-Radcliffe Orchestra. I spent many happy hours slowly working my way through the novels of Anatole France and the philosophical essays of Henri Bergson, without expert guidance or a firm grasp of the subjunctive...

Author: NO WRITER ATTRIBUTED | Title: Learning the Material That Won't Be Tested | 6/4/1996 | See Source »

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