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...very TV-like, with nearly every panel featuring a close-up of a character. Wide angles, experimental layouts, and non-action panels are generally shunned, making it easy to read for novice comix readers, but rather conservative to sophisticates. With what he does depict, though, Ollmann has an excellent grasp of caricature. Faces are what Ollmann does best. Frequently covered in zits, freckles and pockmarks, his character's faces are detailed in their expressiveness without being overly polished...

Author: /time Magazine | Title: When Losers Win | 3/21/2003 | See Source »

...with midterms, papers and the approach of spring break, this has been a difficult week for Harvard students to fully grasp the consequences...

Author: By Nalina Sombuntham, CRIMSON STAFF WRITER | Title: Crimson Poll: Majority Against Military Action | 3/21/2003 | See Source »

Someone tries to engage him in argument and jabs him in the shoulder. White lunges at him and the two scuffle into the middle of the street until six police officers dive through the crowd and pull them forcibly apart. White strains under the grasp of a burly officer, gritting his teeth and bobbing his head furiously toward the other man. Then he collapses into the officer’s arms, exhausted. Sirens wail; police vehicles surround the intersection in an instant...

Author: By Nathan J. Heller, CRIMSON STAFF WRITER | Title: Marchers Chant, Dance And Hobble Their Way Across The Bridge To Protest in Boston | 3/21/2003 | See Source »

...Dallas are the league's two most exciting teams, playing an up-tempo, international style with lots of movement and passing. It's a welcome departure from the NBA's one-on-one isolation game, in which eight men are mere spectators on many plays. Thanks to their firm grasp of the fundamentals, "foreign players have added the skill factor back into the game," says Kings head coach Rick Adelman...

Author: /time Magazine | Title: The NBA'S Global Game Plan | 3/17/2003 | See Source »

...siecle Symbolism. Both men were coming to grips with Cezanne and the means by which he represented space--with shallow patches of pigment that create the illusion of depth but still assert themselves as smears of pigment on the surface of the canvas. Matisse was the first to grasp its implications. But Picasso would drive further into them...

Author: /time Magazine | Title: Art: When Henri Met Pablo | 2/24/2003 | See Source »

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