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...experiment with new technologies and independent research. Says Philip Hanson, a Soviet-economics specialist at Britain's University of Birmingham: "The fundamental role of the market in weeding out unsuccessful technological processes and forcing firms to innovate is something that a lot of Soviet officials don't really grasp...

Author: /time Magazine | Title: Turning Up The Power | 4/10/1989 | See Source »

...while we can understand the changes, understand them in the context of the University that we know today, the "carnival-like" atmosphere of what has variously been described as the spring of student liberation and the months of University disaster is harder to grasp...

Author: NO WRITER ATTRIBUTED | Title: A Sit-In, a Raid, a Strike | 4/7/1989 | See Source »

...between 59% and 71% in recent polls. For the time being, the President can coast on a strong swell of national contentment and hope that interest rates don't climb too high. He also continues to benefit from his obvious enjoyment of the presidency, his self-deprecating humor, his grasp of the issues raised at press conferences...

Author: /time Magazine | Title: Rude Awakening | 3/20/1989 | See Source »

...grandson of a Shi'ite mullah, Mughniyah trained with Yasser Arafat's Fatah faction of the Palestine Liberation Organization. A high school dropout, he excelled at terrorism; his boldness and quick grasp of explosives and weaponry impressed his commanders. But he fell out with Fatah leaders and in 1982, when Israeli troops invaded Lebanon and occupied his village, Teir Debbe, Mughniyah joined the newly formed and more radical Hizballah (Party of God). He took to wearing religious garb even as he recruited activists and professionals to the Shi'ite cause. He rose quickly to the top of the organization...

Author: /time Magazine | Title: The Man Who Holds the Hostages | 3/20/1989 | See Source »

HISPANIC ART IN THE UNITED STATES: THIRTY CONTEMPORARY PAINTERS AND SCULPTORS, Los Angeles County Museum of Art. The artists grasp their ethnicity with color, vitality and fantasy, but this show is art, not sociology, and much of it is a revelation. Through April...

Author: /time Magazine | Title: Critics' Choice: Mar. 6, 1989 | 3/6/1989 | See Source »

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