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Grenadians are also anxious about what some call the "threat" of U.S. aid. The U.S. is undoubtedly aware of radical political elements in all the region's former British colonies. Having wrested Grenada from the grasp of Havana and Moscow, the U.S. may wish to prove to Grenadians, and everyone else in the Caribbean, that the capitalist world can provide more economic benefits than the Communist. Some Grenadians fear that as the U.S. tries to administer that lesson, the islanders will lose their distinctive characteristics as a West Indian people. They do not want a community shorn...

Author: /time Magazine | Title: Striking a Delicate Balance | 11/14/1983 | See Source »

...never appeared. Early on Charles Dickens had expressed his skepticism about spirits: "I have never yet observed them to talk anything but nonsense." Not long afterward, Novelist Samuel Butler decided that "if ever a spirit-form takes to coming near me, I shall not be content with trying to grasp it, but. in the interest of science, I will shoot it." Exposes began to play the vaudeville circuit: Magician Harry Houdini showed audiences that the mysteries of spontaneously moving objects were no more than sleight of hand and, sometimes, foot. The Fox sisters, one of them by now a hopeless...

Author: /time Magazine | Title: Books: Ghost Stories | 11/14/1983 | See Source »

From the first view of a rundown kitchen, complete with refrigerator and green plastic chairs, director R.J. Cutler and set designer Peter Sorger demonstrate a firm grasp of Shepard's hard realism. The Tates, a family of four, scrap endlessly about their unproductive farmstead and their dreary lives. Weston (Dean Norris), the alcoholic father, has just bashed in the front door after a night in the bars. His wife Ella (Nina Bernstein), who called the police to get rid of him, is having an affair with a slick town lawyer, and both husband and wife would like nothing more than...

Author: By Amy E. Schwartz, | Title: Twisted but Truthful | 10/27/1983 | See Source »

...found the music entrancing, the setting beguiling-and the opera incomprehensible. So did many Chinese in the audience. Therein lay the seeds of a revolution: the libretto was flashed on a screen at the side of the stage for the benefit of those in the audience who might not grasp every nuance of archaic Mandarin. Sills resolved to take a cue from what she witnessed. The idea was reinforced when the Canadian Opera in Toronto pioneered the use of English captions in its productions of Richard Strauss's Elektra and Claudio Monteverdi's L'Incoronazione di Poppea...

Author: /time Magazine | Title: Music: Cendrillon Becomes Cinderella | 10/17/1983 | See Source »

...cuts, and if that was impossible, then through hard, serious effort. TIME fitted that perception. It was a short cut, a gadget of knowledge. But it was also more. The very invention of the newsmagazine?with its orderly rubrics, its organization of information?symbolized the conviction that people could grasp the world and make sense of it. TIME was didactic. Parentheses were filled with statistics about height, weight, area, population. "Learned footnotes" sprouted at the bottoms of pages. But at the start, articles were short, often mere "items," snippets and extracts from other publications. Brevity and simplification were the goals...

Author: /time Magazine | Title: TIME at 60: A Letter From The Editor-In-Chief | 10/5/1983 | See Source »

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