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Does Harvard want to do that? Most of the faculty arguments which I have heard at Paine Hall, the Lowell Lecture Hall Debate, and the Lowell House have failed to grasp the connection between ROTC and the war, and with a remarkable lack of a sense of urgency on the matter...

Author: NO WRITER ATTRIBUTED | Title: DEFENSE OF THE SIT-IN | 1/8/1969 | See Source »

...production and general prosperity have continued to grow vigorously, despite political assassinations, race riots, international monetary crises and breaks in the stock market. In the past year the economy advanced in the face of all of that, and more. Yet economic Utopia is far from the nation's grasp. This year, the expansion has gone too far, too fast. In fact, there have been excessive increases in three vital areas: wages, prices and Government spending. During 1968, more than in any other year since the early 1950s, the joys of expansion were shaken and weakened by the jolts...

Author: /time Magazine | Title: Business: The Economy in 1968: An Expansion That Would Not Quit | 12/27/1968 | See Source »

...touch of gentleness and sway in the priceless slow movement in which every phrase should be continent and compassionate, where lyricism and drama should perfectly intermingle. Yannatos tolerated reticent playing, displayed an at times staggering lapse of taste in phrasing, and generally enervated the performance by failing to grasp the dramatic ethos of Beethoven's universal consciousness...

Author: By Chris Rochester, | Title: HRO's Beethoven | 12/17/1968 | See Source »

...talking about yourself, all this is very helpful. If not, I don't think you have a grasp of the facts...

Author: By William C. Bryson, | Title: Malcolm Lowry, 11 Years Dead, Is Pawing Through the Ashes of His One Great Work | 12/17/1968 | See Source »

...written in his consummately banal idiom featuring vapid stentorian outbursts for a brass ensemble and Victory at Sea-type arching melodies for the hapless chorus. This clangorous work, sounding like Hollywood with the rough edges knocked of, brilliantly captured a certain Pliestoceme ambience which would have been beyond the grasp of a lesser composer. The character of the performance was captured in the Dryden line "What passion cannot Music raise of quell," the answer to which was of course "None...

Author: By Chris Rotchester, | Title: Zarathustra | 11/25/1968 | See Source »

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