Word: graspingly
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...from Hawthorne's to Seastrom's Scarlet Letter can be traced in the distance between Seastrom's and Griffith's drama. One notices it first in Gish's acting. Her hands, which in Griffith persistently fluttered toward face and breast, are held in more tightly or used actually to grasp people. Seastrom gives their pure emotional energy a real application: Gish's gestures, rather than only expressing her spirit. become actions with physical and specific ends...
...Virginia, then 81, added "sex" to the section of the 1964 Civil Rights Act that prohibited employment discrimination on the basis of "race, color, religion or national origin." There was a good deal of laughter, but the House passed the bill. It has taken a while for feminists to grasp what they can do under Title VII, but charges of discrimination against women in business and industry account for about 7,500 of the 44,000 complaints filed so far with the Equal Employment Opportunity Commission. Restrictions as to hours were swept away, airline stewardesses won the right to work...
Does this description fit some future vehicle that is still beyond man's technological grasp? It does not. Last week twelve shiny versions of this ideal car were lined up for public inspection at the first International Electric Vehicle Symposium in Phoenix, Ariz. Some of the models were familiar Volkswagens and Renaults, converted to run on battery power. Others were brand new and strange-looking. General Electric unveiled its squat, three-door "Delta," which looks like a stylized descendant of the Jeep. Not to be outdone, Westinghouse showed off a sleek "Lotus Europa" sports car. Ford had a streamlined...
...human priorities set within it. Like a latterday, lab-trained Hamlet, Eiseley confronts his fellow scientists with the charge that there are more things in heaven and earth than is dreamt of in their philosophy. His book is one long repeated warning that "the wild reality always eludes our grasp...
Pain Beyond Tears. To grasp what Grotowski does with his actors one must imagine monastic austerity wedded to mystic zeal. One must imagine the body being used to bear witness to the secrets of the soul. One must imagine not a reforging of an ancient myth, but a confrontation with that myth. It is a kind of exploration of the precondition of myth, the psychophysical necessity that brought it into being and confirms its enduring validity. Grotowski begins by stripping away everything that he regards as the excess baggage of drama -makeup, props, lighting effects, music, scenery, a conventional stage...