Word: grasse
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Dates: during 1980-1989
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...party faces serious problems in its quest for legitimacy. One is a strategic question which caused a major rift at the convention--whether a presidential campaign is the most effective way of establishing a political party with the strong grass roots tendencies of the Citizen's Party...
...this, but questioned Commoner's commitment to local party-building. Lucius Walker of Pennsylvania, a major figure in the camp opposed to Commoner's views, said that Commoner would be an ideal national candidate. "He's very good on the corporate and macro issues, but not so good on grass roots organizing...
...view on life, the film changes tone: now it is bleak and blue, now it is warm and red. Does Schlondorff misunderstand his little hero or has he simply made only token efforts at linking each sequence to the whole? He manages to reduce the most profound chapter of Grass' novel, a discussion about art and life between a midget magician and a soliderly artist to a frolicking picnic atop a cement pillbox...
Schlondorff feels he must play with Grass' symbols and he has included many of them: Oskar's red and white drums, the smashed glass, the eels, the death of Oskar's mother by over-consumption of fish, Oskar's valiant attempts at sex, cemetaries, the death-dealing Nazi-party pin. Yet unlike Grass' novel, Schlondorff's film refuses to tie these ugly images together; time has strange dimensions and the laudably meticulous attention to detail--violent and spectacular--leaves us empty. The Tin Drum is full of disturbing moments: Oskar is forced to drink a stone and urine soup; eels...
...build a film on three adjectives: barbaric, mystical, bored. But if Schlondorff had kept those words in mind as he guided his camera over the russet rooftops of Old Danzig, he might have crafted a film that captured the anguish of the 20th Century as well as Gunter Grass' The Tin Drum...