Word: grasse
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Dates: during 1980-1989
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Ever since his first novel, The Tin Drum, exploded into international bestsellerdom in 1963, Gunter Grass has pursued two parallel careers. He continued to write fiction (Dog Years, Local Anaesthetic, The Flounder), as well as plays and poetry, that enhanced his worldwide reputation. He also plunged energetically into politics, working on behalf of West Germany's Social Democratic Party, speaking out against the superpower arms race, and hectoring with particular fervor the Western democracies. Planners of literary conferences learned that one sure way to garner attention was to snare Grass as a participant. He could, at the very least...
...doubt the author's devotion to both literature and crusades, but Grass, 59, seems to be growing impatient with keeping the two activities separate. Witness The Rat, a novel in which imaginative extravagance is yoked to a relentless jeremiad about the despoliation of the earth. The result is a struggle between an art that teases and an argument that harangues. The loser, hands down...
Pivot is host of Apostrophes, an urbane 90-minute discussion of literature and ideas with some of the world's most famous authors. Henry Kissinger has appeared, as have French Presidents Valery Giscard d'Estaing and Francois Mitterrand. Most weeks, however, writers like Saul Bellow, Carlos Fuentes, Gunter Grass, Milan Kundera, Susan Sontag and others of lesser renown are the stars...
...journalist and his wife with whom the Norths had become friends after selling them a puppy. He seems to be relishing the time at home with his three children and Max, the family's Labrador retriever. Like any suburban dad on a weekend, he can be seen cutting the grass and barbecuing in the backyard. During the day his wife Betsy keeps the kitchen television tuned to the Iran-contra hearings...
...contains impelling descriptions of aerial combat, though we learn later the stories are probably lies. Significantly, the accusation cannot lessen the imaginativeness of the narration. It is one of Dickey's better stunts: to portray the artist as an inspired liar who can convince us that boats float on grass and a book...