Word: grasses
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Dates: during 1960-1969
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...commend you on the fine article on pop drugs [Sept. 26]. It was most poignant and struck close to home. I was a grasshopper, but luckily enough I stopped a couple of months ago. I have heard a lot about how you can't get hooked just blowing grass. I've got too many friends disproving that theory. We all started on grass, but they are now dropping acid, popping speed and sniffing glue. Getting high is a great feeling, but it is a greater feeling being free and seeing someone else, and not yourself, ruin his life...
...massacre has become a symbol not only of Nazi persecution but also of the status of the Soviet Union's 3,000,000 Jews, who are discriminated against in most areas of Soviet life. Soviet his tories all but ignore the tragedy. Only a simple stone marks the grass-covered site, and it says simply that "victims of fascism" lie below. The Jewish identity of the victims was not even mentioned at the anniversary ceremonies that the state grudgingly began conducting last year, the better to control the groups of Jewish mourners who had been gathering annually at Babi...
...want at Alice's Restaurant..." goes Arlo's now legendary song, which is both the inspiration and structural framework of the film. And you can. Alice and Ray, the couple that sets up home in a Stockbridge, Massachusetts church as the film begins, have everything: shelter and food and grass aplenty. And when Arlo and his friends, the misplaced and the homeless of American kids, come up to Stockbridge, they know there will be a home, sustenance, and love waiting for them...
Also unlike Rider, Restaurant is incredibly close to earth. Grass is smoked, girls are screwed, and motorcycles are raced, but Penn and his wonderful film editor. Dede Allen, do not point at these things as Dennis Hopper does in the Peter Fonda epic. Nor do we get the glamorized, generalized "real-life" performances of Rider in this picture. Arlo is a natural, uneasy, stuttering Arlo-not a hippie-stud (like Fonda) or a hippie-hippie (like Hopper...
...freshmen confined their movement to the paved paths that cut diagonally, horizontally, vertically, and oppressively across the green grass of the Yard...