Word: grasskamp
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...exhibit also seems all but unconcerned with what Haacke does best-what Walter Grasskamp called "the avoidance of the notoriously German theme of carping at the unworthiness of the masses in front of the lonesome triumphs of art." "Sanitation," which signals Haacke's incarnation as the king of cut-and-paste, has neither an aesthetic nor a political leg to stand on. The ideas contained in the exhibit are too focused and yet too disparate to evoke any response, anger or otherwise. No doubt it makes one pine for Haacke's kinetic sculptures, such as 1963-65's "Condensation Cube...
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