Word: grave
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Dates: during 1930-1939
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...budget in 1932-33 amounted to 43,250,000 reichsmarks, and on that budget Germany was operating a very markedly successful civil aviation. The next year the figures rose to 75,000,000 and this year to the surprising figure of 210,000,000. . . . There is ground for very grave anxiety." Elsewhere in his speech Mr. Baldwin said: "There have been [British] conversations with France none of which, I guarantee, would have taken place had Germany not left the League and had not her internal actions regarding arms been shrouded from that day in mystery." In left-handed language Government...
...child. Punishment for her misdeeds arouses in her a persecution complex and a thirst to revenge herself on the Misses Wright & Dobie. Armed with information clandestinely gathered from Mlle de Maupin, Mary convinces her righteous grandmother that Miss Dobie is in love with Miss Wright, that she has witnessed grave misbehavior. The grandmother ruins the school by spreading the tale. The accused young women ruin themselves by pressing an unsuccessful libel suit. Alone in a deserted classroom, Karen Wright (Katherine Emery) and Martha Dobie (Anne Revere) are faced with a hopeless future. In her morbidity, Martha reveals that although Karen...
Belgium. Tall, curly-haired young King Leopold III faced the first grave crisis of his reign last week when the Catholic-Liberal Coalition Cabinet of patrician old Premier Count Charles de Broqueville was upset by that fiery anti-inflationist and anti-devaluationist Finance Minister Gustave...
...musty office has always been the same: Gatti settling his great bulk in a swivel chair, fumbling for the ribbon which holds his pince-nez, reading his announcement aloud in slow, painstaking English. When questions were asked, he would stroke his beard, answer warily or not at all. A grave "good afternoon" regularly closed each such session with the Press. Last week musical reporters were still awaiting their annual summons when Giulio Gatti-Casazza suddenly announced that this season would be his last as impresario of the Metropolitan Opera Company...
...been the bed of my erotic joys. It has been the battlefield of my fiercest struggles. It has been the gibbet of my execution. It has been the post of my scourging. It has been my throne. It has been my close-stool. It has been my grave. It has been my resurrection. On the platform I have expressed by a whisper, by a silence, by a gesture, by a bow, by a leer, by a leap, by a skip, by the howl of a wolf, by the scream of a woman in travail, certain inspirations concerning the secrets...