Word: grave
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Dates: during 1960-1969
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...special liaison group have lived and worked daily with the Korean Tigers [July 22] since their arrival in Viet Nam. They rank professionally with any fighting unit we've known. We find them "brutally efficient," but nowhere have we seen any grave sitting, tae kwon do cheekbone splitting, or mutilation by skinning. Had the Tigers done these things, 695 Viet Cong would never have surrendered...
...talks from company executives. Editor William Buckley listens to Shakespeare's plays when driving to work; Jerry Lewis listens to scripts en route to the studio. Hundreds of players have been installed in powerboats and airplanes, as well as in funeral limousines, which broadcast hymns at the grave site. Meanwhile, back on the road, auto-tape buffs are happily decorating their windows with decals: "Ssh . . . I'm listening to stereo...
...illuminated at night by blue, violet and purple spot lights. Why did Smith put it up? "A vision in my own heart," he says, "of wanting to see a statue of Jesus Christ rise in monumental splendor." And, ah, another reason: Smith plans to use the statue as a grave marker for his wife and himself, is having a cemetery prepared near the sculpture's base...
Grass & Insecticide. To Westerners, the process sometimes seems as brutal as it is effective. Suspects are encouraged to talk by a rifle fired just past the ear from behind while they are sitting on the edge of an open grave, or by a swift, cheekbone-shattering flick of a Korean's bare hand. (Every Korean soldier from Commanding General Chae Myung Shin on down practices for 30 minutes each day tae kwon do, the Korean version of karate.) Once, when the mutilated body of a Korean soldier was found in a Viet Cong-sympathizing village, the Koreans tracked down...
...creator." Construing Ginzburg, the court stressed: "No constitutionally punishable conduct appears in the case of an individual who prepares material for his own use" or who "intends to purge the material of any objectionable element before distributing or exhibiting it." To hold otherwise, the court said, "would pose grave technical difficulty for the unconventional artist" and "tend to suppress experimental productions that might become, in finished form, constitutionally protected communication...