Word: graving
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Balancing a grave discussion of global warming with a playful deadpan wit, Vice President Al Gore '69 gave the inaugural address of the Kennedy School's Belfer Center for Science and International Affairs on Friday afternoon in the ARCO Forum...
...major, Op. 6 No. 1 respectively. The exceptional soloists gave performances worthy of Hogwood's illustrious direction, perhaps even of Milton himself. Especially notable were sopranos Sharon Baker and Lisa Saffer, whose powerful voices captured both the light, lilting passages of L'Allegro and the "grave music," as Handel termed it, of Il Penseroso. Christine Brandes, also soprano, however, sounded a bit too bright and overharsh at times. Tenor Alan Bennett and bass David Thomas also demonstrated impressive talent and musical sensitivity...
...years later, Scher married Dillon's widow Patricia and raised Dillon's son and daughter as his own. The family moved to North Carolina, leaving Dillon's grave to be tended by his father Lawrence, a former mayor of Montrose. But questions remained. There had always been rumors that Scher and Patricia had been in the middle of a torrid love affair before her husband died--a rumor they denied repeatedly. Dillon's father, for one, always wondered about the autopsy report and never believed the death was an accident. Says Bonnie Mead, who was Martin Dillon's secretary...
...wacky content, the film has strangely subdued feel; the lack of energy is palpable to the viewer. Brian Tufano's camera, which was so sharp and dynamic in Trainspotting and so creepily sedate in Shallow Grave is only able to capture flat, washed out images. Setups that ought to be bold and striking are rendered as drab and sluggish...
Berg's best tone is retrospective: a voice from the grave, or rehab, or the front-porch rocker of memory. That ode to loss, Back When We Were Beautiful, finds its power in the pain it evokes. Tough sentiment, gorgeous song, terrific scrapbook of an album...