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PETER YARROW, AS an aspiring solo artist, faced a grave problem. A year and a half ago, he said he had ideas of following in the path of men like Pete Seeger, writing, as he still does, idealistic songs of love and the search for peace to add to the canon of traditional folk. But P, P & M-style arrangements were no longer the language of national sentiments. That musical language had shifted to rock...

Author: By Peter M. Shane, | Title: Striking a New Chord | 10/12/1973 | See Source »

...Records did a grave disservice by releasing only instrumental sections of The Tempest. Cutting the vocal sections was an obvious budgeting move that was grossly inartistic. The songs were essential to the work. They are embarrassingly similar to operetta and their beauty is just as impressive...

Author: By Kenneth Hoffman, | Title: Sullivan's Serious Side | 10/11/1973 | See Source »

Attorney General Elliot Richardson rushed to Petersen's defense, calling him "a distinguished Government lawyer with more than two decades of prosecutorial experience." Moreover, he noted pointedly: "Experienced though he may be, he does not have sole responsibility ... for criminal matters of grave importance. In such matters the decisional process is shared, and the final responsibility is the Attorney General's." Despite that defense of his deputy, TIME has learned that Richardson initially did have doubts about Petersen's Watergate performance. But prompt high public praise of Petersen by White House officials, including the President, had made...

Author: /time Magazine | Title: The Nation: Agnew's Nemesis at Justice | 10/8/1973 | See Source »

Meanwhile, Columbus was back, after a fashion, in the New World. Two small crystal lockets containing some of the dust from his Spanish grave were up for auction at Manhattan's Sotheby Parke-Bernet. The pair is expected to bring...

Author: /time Magazine | Title: People, Oct. 8, 1973 | 10/8/1973 | See Source »

...author's children. But then the author does not look like at first a likely candidate for greatness either. There is a little bit of shaggy dog about his longish brown hair and moustache, and his burly build reminds one of his days as a stone cutter--he made grave stones, like little Oskar in The Tin Drum--and as a sculptor, before he began to write. He deliberately rolls a cigarette while answering questions, and his time on the campaign trail for Brandt's socialists has taught him not exactly to dodge difficult questions but to slip almost unnoticeable...

Author: By Phil Patton, | Title: Vocal An' Aesthetic | 9/27/1973 | See Source »

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