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Word: grayness (lookup in dictionary) (lookup stats)
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...Accompanied by the tunes of bagpipes, the gray weather that dominated the afternoon seemed more fitting for the instrument’s wet home than the crisp Cambridge October...

Author: By Samuel P. Jacobs, CRIMSON STAFF WRITER | Title: Faust Installed on Day of Rain and Ritual | 10/15/2007 | See Source »

Eschewing his characteristic jeans and T-shirt in favor of a gray suit, Petersen touched on students’ struggles to become active decision makers “in spite of limitations from above...

Author: By Christian B. Flow, CRIMSON STAFF WRITER | Title: Petersen's Fiery Speech Makes for Uncomfortable Moment on Stage | 10/15/2007 | See Source »

...guess I could spin this coincidence into a mournful essay on the devolution of movie culture over the past 35 years: how moviemakers have jettisoned subtlety in their attempts to appeal to a teen audience, how shades of gray have been coarsened to simple blacks and whites, how everything then was better than anything now, etc. etc. That alterkocker argument might be made to apply to the Farrelly brothers' dumb-down of the Neil Simon-Elaine May Heartbreak Kid, which I was unkind to last week. But it doesn't work on Sleuth, an art-house effort with more modest...

Author: /time Magazine | Title: Murder Mystery: Who Killed Sleuth? | 10/12/2007 | See Source »

...poorly mask the fact that the questions at the film’s core are distinctly those of our time—a time when our country’s de facto cultural voice is some mongrel mishmash of Fox News and CNN. If only writer-director James Gray were more sensitive to these issues, then his film might seem less a propaganda co-written by the NYPD’s PR branch and the Department of Homeland Security, and more like the excellent crime thriller it might have been (and sort of is). Thankfully, Joaquin Phoenix and Mark Wahlberg...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: We Own The Night | 10/12/2007 | See Source »

...events. In his thunderous Snow Storm: Hannibal and His Army Crossing the Alps, it's not even clear just where Turner has placed the Carthaginian general. Could he be that minuscule silhouette in the middle distance on a tiny elephant, the one dwarfed by the coiling surf of gray-brown cloud above his head? As the great storm explodes across the canvas, devouring the sickly yellow coin of the sun, the mighty general is just a comma in the larger scheme. This isn't merely history taking place in a landscape. It's landscape as the judgment of history...

Author: /time Magazine | Title: The Sunshine Boy | 10/11/2007 | See Source »

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