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...Howard lamented a "coarsening of the culture," blaming a decline in civility, voyeuristic media and male aggression. Was this an attack on Latham or the infotainment-footy-industrial complex? Perhaps Howard doesn't get Big Brother. Or just get out enough. Maybe he's trying to shore up the gray vote who cop the brunt of those road-raging, finger-popping P-platers...

Author: /time Magazine | Title: The Tortoise and the Hare | 7/13/2004 | See Source »

BEIRUT, Lebanon—It stands like a giant upturned gray battleship sunk into the ground. No, it isn’t Mather Tower, it’s the burnt-out husk of the former Holiday Inn Beirut...

Author: By Alex Slack, | Title: Expect Ambivalence in Beirut | 7/9/2004 | See Source »

When Westerinen met her black cousins at the Hemings reunion in 1999 she was finally able to embrace her biracial heritage. "My life has changed a lot," says Westerinen, an artist, who lives with her husband, son, daughter-in-law and 11-year-old granddaughter in a gray-shingled house with white trim in Staten Island, N.Y. She organized the first Hemings reunion, in July 2003, and has joined up with Shay Banks-Young, who is black and descended from Madison Hemings, to give talks about race relations. "I have a new mission in life, which is to expose...

Author: /time Magazine | Title: Thomas Jefferson: A Family Divided | 7/5/2004 | See Source »

...Drawing in smooth, almost aerodynamic lines, Seth evokes the style of the 1930's "New Yorker" cartoonists. Combined with its palette of black, gray and pale blue, the very look of "Clyde Fans" exudes a melancholy nostalgia. A major part of Seth's attempt at moving away from traditional comicbook storytelling includes, as he says, "giving a story as much length and breathing space as it needs to be told, which usually means slowing down the narrative, [including] a lot of silent space - panels that aren't necessary to move the story along but are necessary just to create...

Author: /time Magazine | Title: A Cool Breeze | 7/2/2004 | See Source »

This renewed willingness to pull for the Man may reflect America's changed role in the world. We're no longer the freewheeling adversary of gray, monolithic communism but rather the world's only superpower. We are the house, and we set the odds...

Author: /time Magazine | Title: Television: Viva Las Vegas | 6/28/2004 | See Source »

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